The Modern Italian Game

Bishop’s Opening, and the Modern treatments of the Giuoco Piano
and Two Knight’s Opening.


Bibliography

Bishop’s Opening, Tim Harding [Chess Player]

Simple Chess, Michael Stean [Faber]

Secrets of Grandmaster Play, Nunn and
Griffiths [Batsford]

The Open Game in Practice, Anatoly
Karpov [Batsford]

Winning with Bishop’s Opening, Gary Lane
[Batsford]


Introduction

Let us open 1. e4 and after 1…e5, 2.
Nf3


All square?

As many juniors already know, we can continue with moves like
Bc4, d3, Nc3 and Be3/Bg5 followed by
O-O, White has achieved an easy development. However, this
system of development puts no pressure on Black whatsoever, and
Black’s only task is to keep up with White’s development. For
example, after 2. Nf3 Black might reply 2…Nc6,
then after 3. Bc4 Bc5 4. d3 Nf6 5. Nc3 d6
(Giuoco Pianissimo) we can try 6. Be3
Bb6!
when Black has an easy game, while after 6.
O-O Bg4!
White may even feel that the King has been
committed too soon (7. h3 h5!?). 6.
Bg5
may give Black a few ways of going wrong but basically
the impression is that this game with Knights on their natural
squares of c3 and f3 is not a difficult system for Black to
equalise against because Black can develop easily.


Going for d2-d4?

In order to put early pressure on Black, White cannot use the
pieces alone. Plan A must include development by d2-d4 at some
point. This will put pressure on the Black Pawn at e5 and give a
few more possibilities for both sides.

  The immediate 3. d4 exd4 4. Nxd4 leads
to release of central tension and denies White the opportunity of
ever achieving a ‘perfect’ centre with Pawns on e4 and d4. This is
a perfectly reasonable opening (Scotch Game), but perhaps
we can do better:


Preparing d2-d4 with c2-c3

Supporting the d4 Pawn with c2-c3 seems a good idea, so that
…e5xd4 can be met with c3xd4. Then our Knight on b1 could go to
c3 anyway. However, 3. c3 (Ponziani’s
opening
) has been thought for a long while to offer White
little: it is a well-motivated move but for the moment does not
restrict Black at all. Black can make an immediate nuisance by
either 3…Nf6 or perhaps even
3…d5, when the natural 4.exd5
Qxd5
cannot be met by tempo-gaining 5.Nc3.


The old Italian Game with c2-c3

There can be little objection to the Italianate 3.
Bc4
, which retricts …d5, enables castling by White, and
after 3…Bc5 (Giuoco Piano)
4.c3! is an excellent way to proceed, since after
the spoiling attempt 4…Nf6, 5.d4! can follow in
any event. These are well-known lines, which perhaps do not offer
White much more than equality in theory, but in practice usually
lead to an open game where Black has lots of chances to go wrong.
This old-fashioned Italian Game, concentrating on fast development
and attacking play, is a great choice for your first chess opening
system.


Euwe Max – Van Mindeno H [C54], It “AVRO”,
Netherlands, 1927

1.e4 e5 2.Nf3 Nc6 3.Bc4 Bc5 4.c3 Nf6 5.d4 exd4 6.cxd4 Bb4+
7.Nc3 Nxe4 8.0-0 Bxc3 9.d5 Bf6 10.Re1 0-0 11.Rxe4 Ne7 12.d6 cxd6
13.Qxd6 Nf5 14.Qd5 d6 15.Bg5 Bxg5 16.Nxg5 Qxg5 17.Qxf7+
1-0

  However, this is not the way most folk play the opening
these days.

  If there is a problem with 3. Bc4 it is
3…Nf6 (Two Knights’ Defence), which
does not allow us to play 4. c3/5. d4. 4. d4!?
(the Max Lange Attack) can be tried as a reply, but this
again detracts from the goal of setting up Pawns on d4 and e4.


Garcia C – Taulbut Shaun M It active,
1982

1. e4 e5 2. Nf3 Nc6 3. Bc4 Nf6 4. d4 exd4 5. O-O Nxe4 6.
Re1 d5 7. Nc3 dxc4 8. Rxe4+ Be7 9. Nxd4 f5 10. Bh6 Kf7 11. Qh5+ g6
12. Nxc6 bxc6 13. Qf3 Bd6 14. h4 Be6 15. Rxe6 1-0

  Again, the play is open and unclear, which is fine for
those with an adventurous spirit and a good memory (for this line
is very well researched), but we may prefer to avoid this.


Getting to d4 in two moves: the modern
Italian Game

However, if after 3…Nf6, 4. d3 seems an
admission of failure, this may be only a temporary setback. 4. d3
may be followed by protecting the e-Pawn (with Nbd2, or castling
and Re1), and then we can play c2-c3 and d3-d4 as originally
planned. This slightly delayed occupation of the centre may be
stronger than doing so immediately, because it is more solid.

  The most important test in this position is, of course,
the simple 4…d5: if this equalises then White
will have to try something else. In fact, it seems that after
5. exd4 Nxd4 6. O-O and 7. Re1 Black can
experience some difficulty defending the e-Pawn. So this idea of
d3, c3 and only later d4 seems quite playable.

  Also, after 3…Bc5 4. c3 Nf6 5. d3! we
enter similar lines. The main variations of the Giuoco Piano with
5. d4 are well-explored and well-known, so your opponent may
equalise without much thought if they know the book lines, whereas
these lines with d3 are less familiar and offer more scope for
original play.

  In any event, the system with c3 and d3 may be more
interesting than a Four Knights’ type of system with Nc3 and d3.
The Queen’s Knight can play first to d2, which looks a little slow,
but, because the centre is solid, it can then plan grand tours like
Nd2-c4-e3-d5 or Nd2-f1-g3-f5, or some other combination like
Nd2-f1-e3. If a general King’s-side push is being considered, once
the King’s Knight on f3 moves, the Queen’s Knight can pop around
from d2 to f3.

  There has been much Grandmaster interest in this
apparently slow style of playing these old openings. What can Black
do in response to this plan?


Plans for the d-Pawn for both sides in the
modern Italian Game

We have considered four central formations for White above:

d3 only (with Nc3), which in itself may be too
slow

d4 only, which in itself may be too early

c3 and d4, which may be vulnerable to …Nf6

d3 and c3 with d4 later, which may be the best plan
so far

  Black of course has all these plans available from the
other side:

…d6 and …Nc6

…d5 only

…c6 and …d5

…d6 and …c6 (with maybe …d5 later)

  Because Black may be trying only to equalise, lack of
aggression in these different plans may be no great drawback.

  White is going to stick the King’s Bishop on c4, while
Black has yet to commit it to a square: …Bc5 is natural, …Be7
is solid, and some folk have tried it on g7.

  This combination of different possible plans by White and
by Black is rather interesting. It is this strategic complexity and
relatively slow unfolding of plans which has led to a growth of
interest in these lines, together with a re-appraisal of some old
variations.


The modern Italian Game and the Bishop’s
Opening

A point of order: I have introduced these lines from a move order
with 2. Nf3. But it may be interesting to play 2.
Bc4
instead: the Bishop’s Opening. After 2. Bc4
we can reach the same lines after either 2…Nf6 3. d3 Nc6
4. Nf3
or 2…Nc6 3. Nf3 or
2…Nc6 3. d3 Bc5 4. Nf3. Are there advantages to
playing 2. Bc4 instead of 2. Nf3? In the early
1980s when interest was growing in 2. Bc4, Petroff’s
Defence
(the reply 2…Nf6 to 2.
Nf3
) was proving to be a good equalising try for Black at
all levels of chess. The Bishop’s Opening move order obviously
avoids this defence, and one or two others besides (like
Philidor’s Defence and the Latvian Gambit). So,
yes, there may be practical advantages in starting out with 2. Bc4.

  The growth of interest in Bishop’s Opening actually began
with Bent Larsen’s researches in the 1960s. [He wanted to get into
a line of the Vienna Opening: 1. e4 e5 2. Nc3 Nf6 3.
Bc4 Nc6 4. d3
without encouraging the wild 3…Nxe4 4.
Qh5
, so introduced the line with 2. Bc4.] He
discovered, amongst other things, that after 1. e4 e5 2.
Bc4 Nf6 3. d3 d5
Black has no easy time of it. The other
theoretical development, published in a little Tim Harding book,
was a series of correspondence games by Koch in which he showed
that the supposed equalising line 1. e4 e5 2. Bc4 Nf6 3. d3
c6 4. Nf3 d5 5. Bb3 Bd6 6. Nc3 Be6 7. Bg5 Qa5 8. O-O Nbd7

led to a position in which, hypermodern style, Black was left
defending an overambitious centre against strong pressure from
White’s minor pieces.

  There are old-fashioned ‘Italian’ and gambit approaches
to Bishop’s Opening – for example, White can essay the
Boden-Kieseritsky Gambit [1. e4 e5 2. Bc4 Nf6 3. Nf3!?] or
the Urusoff Gambit [1. e4 e5 2. Bc4 Nf6 3. d4!?], both of
which have yet to be refuted and the latter actually claimed a
scalp of the young Karpov. But here I am interested mostly in the
modern treatments.


The Bishop’s Opening and the Ruy
Lopez

Before getting stuck into the details, there is another general
point to consider: the strategically heavyweight lines of the
Ruy Lopez are generally reckoned to be one of the most
important battle-grounds in chess, being complex and offering White
good chances to play for an advantage, and, indeed, giving both
sides chances to win. These positions in fact have parallels in the
modern lines of the Bishop’s opening. For example, the main lines
of the Ruy Lopez include the old Tchigorin Defence:

1.e4 e5 2.Nf3 Nc6 3.Bb5 a6 4.Ba4 Nf6 5.0-0 Be7
6.Re1 b5 7.Bb3 d6 8.c3 0-0 9.h3 Na5 10.Bc2 c5 11.d4 Qc7

[Kasparov – Donchenko, 1976]

  and the modern Breyer system:

1.e4 e5 2.Nf3 Nc6 3.Bb5 a6 4.Ba4 Nf6 5.0-0 Be7
6.Re1 b5 7.Bb3 d6 8.c3 0-0 9.h3 Nb8 10.d3 Nbd7
[Vasiukov –
Karpov, 1971]

  Now, positions similar to these can readily be reached
through Bishop’s opening: after:

1. e4 e5 2. Bc4 Nf6 3. d3 Nc6 4. Nf3 Be7 5. O-O
O-O 6. Bb3 d6 7. c3 h6 8. Nbd2 Re8 9. Re1 Bf8 10. Nf1 Na5 11. Bc2
c5
[Kosten-Cooper, 1988]

  …we have a formation similar to the Tchigorin; to find
a parallel system to the Breyer we can try:

1. e4 e5 2. Bc4 Nf6 3. d3 Be7 4. Nf3 d6 5. O-O c6
6. c3 Nbd7.

  These parallels help explain the GM interest in the old
Bishop’s opening. The differences between the parallel lines lie
principally in White’s more restricted route for the Bishop:
Bf1-c4-b3-c2 rather than Bf1-b5-a4-b3-c2 in the Ruy Lopez, chased
by Black’s a- and b-Pawns. Whether these advances represent
Queen’s-side counterplay more than Queen’s-side weaknesses has yet
to be resolved!


Pawn formations in Bishop’s opening

What is going on strategically in Bishop’s Opening types of
positions? You will find layers of tactical details (like the
attack on f7) when you look at master games in this opening, which
can obscure what is going on underneath the surface. The easiest
way to think about the plans in different lines is to consider is
the Pawn formations. If White succeeds in playing d3, c3 and d4 we
create a tense pawn formation (a), in which the tension can be
resolved in a number of ways. Before White can do this, it is
possible for Black to set up such a formation, so we have all the
possibilities available to both sides. The possibilities of a quick
shift to another formation will be better handled by the side with
the more advanced and more flexible development.


(a) Closed KP centre, Tension form (Ruy
Lopez)

-+-+-+-+
+-X-+x+-
-+-X-+-+
+-+-X-+-
-+-Pp+-+
+-P-+-+-
-+-+-P-+
+-+-+-+-

The tension may even be added to by Black playing …c5, analogous
to the Tchigorin line. In the long term, the adjacent central Pawns
should confer a space advantage, so exchanges should be avoided by
the side trying to maintain them.

Black may resolve the tension by playing
…e5xd4 (c3xd4) which results in an unbalanced position where
White has an extra central Pawn (b).


(b) Double Pawn centre, KP
unopposed

-+-+-+-+
+-X-+x+-
-+-X-+-+
+-+-+-+-
-+-Pp+-+
+-+-+-+-
-+-+-P-+
+-+-+-+-

These adjacent Pawns in a more open position confer a bigger
advantage but in a more open position may be more vulnerable to
attack e.g. along the e-file.

White may resolve the tension in the
first formation, by playing either d4-d5 (giving a closed centre
(c) with an advanced d-Pawn), or by playing d4xe5 (…d6xe5) with a
balanced, semi-open KP centre (d).


(c) Closed centre with advanced
d-Pawn.

-+-+-+-+
+-X-+x+-
-+-X-+-+
+-+pX-+-
-+-+p+-+
+-P-+-+-
-+-+-P-+
+-+-+-+-

The advanced d-Pawn gives a space advantage, particularly on the
Queen’s-side. To play for a win the c-Pawn and maybe b-Pawn should
be advanced, to sieze more space and perhaps open lines on that
side. The opponent may consider an advance of the f-Pawn to
undermine the d-Pawn and counter-attack on the King’s-side.


(d) Balanced, semi-open KP centre

-+-+-+-+
+-X-+x+-
-+-+-+-+
+-+-X-+-
-+-+p+-+
+-+-+-+-
-+p+-P-+
+-+-+-+-

This is a very common formation in KP openings. If neither side can
achieve a sharp advance of the f-Pawn, play will be dominated by
piece play on either wing. There are natural posts for Knights on
d5 and f5 (d4 and f4 for Black), and if Black’s c-Pawn has pushed
to c5 earlier, the d5 point is even more attractive. Control of the
d-file is a good idea but can usually be countered, resulting in
exchanges. Occupation of the mutual outposts f5 and f4 by Knights
is less straightforward to counter, and while your opponent is
sorting out that threat, it may be that you can get the d-file
then.

  If Black anticipates the d3-d4 advance with …d7-d5,
after e4xd5 and …Nf6xd5 we have a semi-open unbalanced KP centre
(e), typical of the Steinitz variation of the Ruy Lopez with
colours reversed.


(e) Semi-open unbalanced KP centre.

-+-+-+-+
+-X-+x+-
-+-X-+-+
+-+-+-+-
-+-+p+-+
+-+-+-+-
-+p+-P-+
+-+-+-+-

The e-Pawn confers a space advantage and attacking prospects on the
King’s-side, which may be added to by f2-f4. The e-Pawn is exposed
on the half-open file, and should be restrained (e.g. by …Re8)
from breaking open lines for the attack by e4-e5. Black’s break
…d6-d5 is a natural plan to dissolve the centre.

  If neither side ventures d4/…d5, then we have a
balanced, closed KP centre (f).


(f) balanced, closed KP centre

-+-+-+-+
+-X-+x+-
-+-X-+-+
+-+-X-+-
-+-+p+-+
+-Pp+-+-
-+-+-P-+
+-+-+-+-

Unless one side or the other goes for a pawn break we get a slow
game where play on the wings is dominant: on the Queen’s-side we
may see a pawn rush, but on the King’s-side we are more likely to
see more modest plans like the occupation of f5 or f4 by a Knight.

  The flexibility of the Bishop’s Opening is such that you
can end up playing any of these Pawn formations, and playing each
side of the unbalanced ones [a,b,c and e] as either White or Black!
Interestingly, White often ends up playing against a Black
preponderance in the centre. Let’s see:


Variations with (a) Closed KP centre,
Tension form (Ruy Lopez)

1. e4 e5 2. Bc4 Bc5 3. Nf3 Nc6 4. c3 Bb6 5. d4 Qe7 6. O-O
d6
[closed Giuoco Piano]

1. e4 e5 2. Bc4 Nf6 3. d3 c6 4. Nf3 d5 5. Bb3
Bd6
[Paulsen’s Defence with …d5]


Variations with (b) Double Pawn centre, KP
unopposed

1. e4 e5 2. Bc4 Nf6 3. d3 Nc6 4. Nf3 Bc5 5. c3 d6 6. O-O
O-O 7. Nbd2 a6 8. Bb3 Be6 9. Nc4 h6 10. Re1 Ne7 11. d4 exd4 12.
cxd4 Ba7
[Speelman-Yusupov, 1989/90]

1. e4 e5 2. Bc4 Nf6 3. d3 c6 4. Nf3 d5 5. Bb3 Bd6
6. Nc3 Be6 7. Bg5 Qa5 8. O-O Nbd7 9. exd5 cxd5

[Nunn-Murey, 1982]


Variations with (c) Closed centre with
advanced d-Pawn.

1.e4 e5 2.Nf3 d6 3.Bc4 Be7 4.d3 Nf6 5.c3 0-0 6.0-0 c6 7.Bb3
Be6 8.Bc2 h6 9.Re1 Nbd7 10.Nbd2 Qc7 11.d4 Rfe8 12.h3 Nf8 13.c4 Ng6
14.d5
[Kasparov – Georgadze,1979]

1. e4 e5 2. Bc4 Nf6 3. d3 c6 4. Nf3 d5 5. Bb3 Bd6
6. Nc3 d4
[Nunn-Kortchnoi, 1981]


Variations with (d) Balanced, semi-open KP
centre

1. e4 e5 2. Bc4 Nf6 3. d3 Nc6 4. Nf3 Be7 5. O-O O-O 6. Bb3
d6 7. c3 d5?! 8. Nbd2 a6 9. Qe2 dxe4 10. dxe4

[Kosten-Cooper, 1989]


Variations with (e) Semi-open unbalanced KP
centre.

1. e4 e5 2. Bc4 Nf6 3. d3 d5 4. exd5 Nxd5
[Larsen-Berger, 1964]

1. e4 e5 2. Bc4 Nf6 3. d3 Be7 4. Nf3 d6 5. O-O c6
6. h3 Nbd7 7. a4 O-O 8. Re1 Nc5 9. Nc3 h6 10. d4 exd4 11.
Nxd4
[Vogt-Tseshkovsky, 1981]


Variations with (f) balanced, closed KP
centre

1. e4 e5 2. Bc4 Nf6 3. d3 c6 4. Nf3 d6 [Paulsen’s
Defence with …d6]


This flexibility and variety is the final clue to understanding the
GM interest in the old Bishop’s opening – because it can be
interpreted in a fully modern way by both sides.

  [Examples of pawn formations]


Variations of Bishop’s Opening.

After

1. e4 e5 2. Bc4

  Black can adopt a variety of systems. The Black King’s
Knight nearly always goes to f6, so assume 2…Nf6
will be played. White responds 3. d3 to play in
the modern style. Now Black has a choice:


3…Bc5 (Giuoco Piano)
3…Nc6 (Two Knight’s Defence)
3…c6 (Paulsen’s Defence to the Bishop’s
Opening)

3…Bc5 (Giuoco Piano)

3…Bc5 4. Nf3 usually transposes to the Giuoco
Piano. Black can be expected to play …Nc6 and …d6. We can see a
typical interpretation of this line by Karpov below, but the most
precise move-order as far as I am aware is seen in the game
Torre-Kamsky, where White avoids having to defend against …Nf6-g4
with h2-h3 (then Nd2-f1-e3), by playing instead Nd2-c4-e3, keeping
watch on g4.

 


3…Nc6 (Two Knight’s Defence)

3…Nc6 4. Nf3 invites the Two Knights’ Defence,
assuming Black does not play ….Bc5. Black can play …d6 or
…d5. Playing …d5 immediately seems to leave Black’s e-Pawn
exposed (Nunn-Garcia), although if White prepares d2-d4 with an
early c2-c3, Black may show the d-Pawn is weaker after …d5
(Yudasin-Ivanchuk), so White does best to preserve options until
Black shows where the d-Pawn will go (Kosten-Cooper). Black cannot
successfully delay entirely a move of the d-Pawn (Taulbut-Rumens),
nor trick White by playing …d6 and then …d5 (Kosten-Conquest).

 


3…c6 (Paulsen’s Defence to the Bishop’s
Opening)

3…c6 4. Nf3 is a pure Bishop’s Opening, a line
known as Paulsen’s Defence. Black can play …d5 or more modestly
with …d6. 4…d5 5. Bb3 leaves Black defending a
big centre in a complex middle-game (Nunn-Murey). Black cannot seem
to simplify without disadvantage (Taulbut-Westerinen, Larsen-Nunn).

  Because of this Black may prefer to play modestly in the
style of Philidor’s Defence, with …c6 and …d6. This is rather
playing White’s own game, thinking about …d5 in two moves. White
has some prospects of advantage (Vogt-Chekhov) in a slow
position.

  [Examples of variations]


Example Games


Examples of pawn formations


(a) Closed KP centre, Tension form (Ruy
Lopez)

No games here – really, the whole point of this formation is that
it can become another. With the tension generated by these
unresolved choices, neither side can commit themselves to very
much. Only when there is some decision made might some plan be
readily undertaken, although a phase of manoeuvring may follow the
establishment of such a centre. So, several of the games below
maintain this formation for a move or two, and I will note this
with “[RLTF]“.


(b) Double Pawn centre, KP
unopposed


Ivanovic,B – Ilincic,Z [C50] Jugoslavija,
1986

1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. Nc3 Nf6 5. d3 d6 6. Bg5
h6 7. Bxf6 Qxf6 8. Nd5 Qd8 9. c3 a6 10. d4 [RLTF] exd4 11. cxd4 Ba7
12. Rc1 O-O 13. h3 Re8 14. O-O Rxe4 15. Bd3 Re8 16. Bb1 g6 17. Qd2
Kg7 18. Rfe1 Be6 19. Nf4 Bd7 20. Rxe8 Qxe8 21. Nd5 Rc8 22. Re1 Qd8
23. g4 Be6 24. Nf4 Bd7 25. Bxg6 fxg6 26. Re6 Be8 27. d5 Ne7 28.
Nh5+ Kh7 29. Nf6+ Kg7 30. Qc3 Kf7 31. Re4 c6 32. Rf4 cxd5 33. Nh7+
Nf5 34. Qd2 Kg7 35. gxf5 Kxh7 36. Rh4 h5 37. Ng5+ Kh8 38. Ne6 Qf6
39. Qh6+ Kg8 40. Rxh5 Rc7 41. Nxc7 Bf7 42. Qh7+ Kf8 43. Qh8+ Qxh8
44. Rxh8+ Kg7 45. Ra8 Bc5 46. Ne8+ Kh6 47. Rd8 d4 48. Nxd6 Bxa2 49.
Nxb7 Ba7 50. Rd6 Bc4 51. Rxg6+ Kh5 52. Nd6 Bd3 53. Nf7 1-0


Speelman Jonathan S – Yusupov Artur [C53] It
(cat.14), Hastings (England), 1989

1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. c3 Nf6 5. d3 d6 6. O-O
O-O 7. Nbd2 a6 8. Bb3 Be6 9. Nc4 h6 10. Re1 Ne7 11. d4 [RLTF] exd4
12. cxd4 Ba7 13. d5 Bg4 14. Be3 Bxe3 15. Nxe3 Bh5 16. Nf1 Ng6 17.
Ng3 Bxf3 18. Qxf3 Nd7 19. Rac1 Nde5 20. Qe3 c6 21. dxc6 bxc6 22.
Nf5 Nh4 23. Red1 Nxf5 24. exf5 a5 25. Qd4 Re8 26. Ba4 Rc8 27. h3
Qf6 28. Rc3 Qxf5 29. Qxd6 Re6 30. Qd2 Rce8 31. Bb3 R6e7 32. Bc2 Qf6
33. Re3 Qg5 34. Qd4 c5 35. Qc3 g6 36. Ba4 Rb8 37. Rde1 f6 38. Qxa5
Kf8 39. Rd1 c4 1-0


Nunn – Murey Luzern cq, 1982

1. e4 e5 2. Bc4 Nf6 3. d3 c6 4. Nf3 d5 [RLTF] 5. Bb3 Bd6 6.
Nc3 Be6 7. Bg5 Qa5 8. O-O Nbd7 9. exd5 cxd5 10. Re1 O-O 11. Qd2 b6
12. Bxf6 Nxf6 13. Nxe5 d4 14. Nb1 Bb4 15. c3 Bxb3 16. cxb4 Qa6 17.
b5 Qa4 18. Na3 Bd5 19. Rec1 Rac8 20. Rxc8 Rxc8 21. Nec4 Bxc4 22.
Nxc4 Rd8 23. Na3 Nd5 24. Kf1 h6 25. Rc1 Qb4 26. Qxb4 Nxb4 27. Ke2
Nxa2 28. Rc4 Rd5 29. Kd2 Kf8 30. Ra4 Rg5 31. g3 Rf5 32. f4 g5 33.
Nc4 gxf4 34. Rxa2 Rh5 35. gxf4 Rxh2+ 36. Ke1 h5 37. Rxa7 h4 38. Kf1
Kg8 39. Rd7 Rh3 40. Rxd4 Rg3 41. Kf2 1-0

 


(c) Closed centre with advanced
d-Pawn.


Kasparov,Gary – Georgadze,T (1) Minsk,
1979

1. e4 e5 2. Nf3 d6 3. Bc4 Be7 4. d3 Nf6 5. c3 O-O 6. O-O c6
7. Bb3 Be6 8. Bc2 h6 9. Re1 Nbd7 10. Nbd2 Qc7 11. d4 [RLTF] Rfe8
12. h3 Nf8 13. c4 Ng6 14. d5 Bd7 15. Nb1 Bf8 16. Nc3 c5 17. Ba4 a6
18. Bxd7 Nxd7 19. g3 Be7 20. h4 Nf6 21. Nh2 Qd7 22. a4 Qh3 23. Qf3
Qd7 24. a5 Nf8 25. Bd2 Rec8 26. Nf1 Ng4 27. Na4 Bd8 28. Rec1 Rab8
29. b4 cxb4 30. Bxb4 h5 31. Nb6 Bxb6 32. axb6 Qe7 33. Qa3 Rd8 34.
f3 Nh6 35. c5 dxc5 36. Bxc5 Qf6 37. Kg2 Re8 38. Be3 Nd7 39. Rab1
Qe7 40. Qxe7 1-0


Nunn – Olafsson (Teesside) [C50] potential,
1982

1. e4 e5 2. Bc4 Nf6 3. d3 Nc6 4. Nf3 Bc5 5. O-O d6 6. c3
Qe7
[6… O-O 7. Nbd2 a6 8. Bb3 Ba7] 7.
Nbd2 a6 8. Bb3 O-O 9. Re1 Be6 10. Nf1
[10. Bc2]
10… Ba7 11. Bc2

  “But already this opening has certain puzzling
aspects. Why should White consistently maintain his initiative,
both in the variations we have looked at and in those to come? Why
should Black’s position be so awkward? The question really boils
down to a more basic one: why is the Ruy Lopez (which this opening
has virtually become) so difficult for Black to combat? Look at the
present position: Black’s pieces are sensibly developed; he has as
much space as White; his pawns are strong. Yet he has
problems.

“The answer seems to be that in this type of Ruy
Lopez position Black can easily get cought in a situation where his
game cannot unfold. Here for instance, White has his plans of
Ng3-f5 and later d4, but it is less easy for Black to find
something profitable to do without weakening himself or making some
serious concession. His pieces may look reasonably placed, but they
cannot readily achieve anything constructive or relevant. I should
make it clear that this does not have to happen in a Lopez; it is
far from being a bad opening for him. But in practice one error
(6…Qe7) can leave him in misery. And so, if a player seems to
have a respectable game (in a Ruy Lopez or any other opening for
that matter), yet still loses, his misfortune may often be traced
back to this lack of life in his position.
” — NUNN AND
GRIFFITHS

11… Kh8 12. Ng3 [12. Bg5]
12… Qd7 13. d4 [RLTF] [13. h3 ! 13… Bxh3
14. gxh3 Qxh3 15. Be3 ! 15… Bxe3 16. Rxe3 Ng4 17. Re2 wins 17…
f5 18. exf5 e4 19. dxe4 Nce5 20. Nxe5 Qh2+ 21. Kf1 dxe5 22. Rd2 and
Qf3]
13… Bg4 [13… exd4 14. cxd4 Bg4
15. Be3 Bxf3 16. gxf3 +-]
14. d5 [14. Be3
Bxf3 15. gxf3 =+]
14… Ne7 15. h3 Bxf3
[15… Bxh3 draws, says nunn] 16. Qxf3 Nfg8 17.
Bd2 g6 18. c4 f5 19. exf5 Nxf5 20. Nxf5 gxf5 21. Bc3 Rae8 22. b4
Ne7 23. h4 Rg8 24. h5 Rg7 25. c5 Reg8 26. g3 h6
[26…
f4 27. Rxe5 dxe5 28. Bxe5 Qh3 29. Re1 fxg3 30. fxg3 b6 31. Qd3 Qxh5
32. Kg2 idea Rh1 wins]
27. Rad1 Qe8 28. Rxe5 dxe5 29.
Bxe5 b6 30. d6 Nc6 31. Bf6 Qe6 32. Bxg7+ Rxg7 33. Qxc6 bxc5 34.
Qa8+ Rg8 35. Qxa7 Rxg3+ 36. Kh2 Qe5 37. Qxc5 1-0


Nunn – Korchnoi, Johannesburg, 1981

1.e4 e5 2.Bc4 Nf6 3.d3 c6 4.Nf3 d5 5.Bb3 Bd6 6.Nc3 d4 7.Ne2
Na6 8.c3 dxc3 9.bxc3 0-0 10.0-0 Nc5 11.Bc2 Bg4 12.Ng3 Nh5 13.h3
Nxg3 14.fxg3 Bh5 15.g4 Bg6 16.h4 f6 17.h5 Bf7 18.d4 Ne6 19.Bb3 Qa5
20.Bd2 exd4 21.cxd4 Bb4 22.Be3 Rae8 23.h6 Kh8 24.g5 fxg5 25.Ne5 Bg8
26.hxg7+ Kxg7 27.Rf5 Be7 28.Qf3 Qd8 29.Qh5 Rxf5 30.exf5 Nf4 31.Bxf4
Qxd4+ 32.Kh1 Qxa1+ 33.Kh2 Rf8 34.Ng4 gxf4 35.f6+ Rxf6 36.Qg5+ Rg6
37.Qxe7+ Kh8 38.Bxg8 Qg7 39.Bf7 1-0

 


(d) Balanced, semi-open KP centre


Kosten,Anthony – Cooper,Lawrence [C55]
London open, 1988

1. e4 e5 2. Nf3 Nc6 3. Bc4 Nf6 4. d3 Be7 5. O-O O-O 6. Bb3
d6 7. c3 h6 8. Nbd2 Re8 9. Re1 Bf8 10. Nf1 Na5 11. Bc2 c5 12. Ng3
g6 13. h3 Bg7 14. d4 [RLTF] cxd4 15. cxd4 exd4 16. Nxd4 d5 17. e5
Ne4 18. Nxe4 dxe4 19. Bf4 Bxe5 20. Rxe4 Bxf4 21. Rxf4 Bd7 22. Qf3
Qe7 23. Qd5 Nc6 24. Bxg6 Ne5 25. Re1 Bc6 26. Qb3 Qg5 27. Rg4 Nxg6
28. Rxe8+ Rxe8 29. Rxg5 hxg5 30. Nxc6 bxc6 31. Qb7 Re1+ 32. Kh2 Re2
33. Qxa7 Rxb2 34. a4 1-0

 


(e) Semi-open unbalanced KP centre.


Larsen,Bent – Berger,Bela [C24] Amsterdam
izt, 1964

1. e4 e5 2. Bc4 Nf6 3. d3 d5 4. exd5 Nxd5 5. Nf3 Nc6 6. O-O
Bg4 7. Re1 Be7 8. h3 Bxf3 9. Qxf3 Nd4 10. Qg4 O-O 11. Rxe5 Nf6 12.
Qd1 Bd6 13. Re1 Re8 14. Be3 c5 15. Nd2 Bc7 16. Nf3 Qd6 17. Bxd4
cxd4 18. Rxe8+ Rxe8 19. c3 dxc3 20. bxc3 Nh5 21. Qa4 Re7 22. Qxa7
Nf4 23. Qxb7 h5 24. Qc8+ Kh7 25. h4 1-0


Vogt L – Tseshkovsky V, It cat. 10 ,
1981

1.e4 e5 2.Bc4 Nf6 3.d3 c6 4.Nf3 Be7 5.0-0 d6 6.Re1 Nbd7
7.h3 0-0 8.a4 Nc5 9.Nc3 h6 10.d4 exd4 11.Nxd4 Re8 12.Bf4 Bf8 13.Qf3
Ne6 14.Be3 Ng5 15.Bxg5 hxg5 16.Nf5 Bxf5 17.Qxf5 Re5 18.Qf3 Qa5
19.Bb3 Rae8 20.Re2 1/2-1/2

 


(f) balanced, closed KP centre


Karpov,An – Yusupov A M [C53] It, Bugojno,
1986

1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. c3 Nf6 5. d3 d6 6. O-O
O-O 7. Re1 a6 8. Bb3 Ba7 9. h3 h6 10. Nbd2 Nh5 11. Nf1 Qf6 12. Be3
Nf4 13. Bxa7 Rxa7 14. Kh2 Ne7 15. Ne3 Ra8 16. a4 Be6 17. Bxe6 fxe6
18. Ng1 Rad8 19. g3 Nfg6 20. Rf1 d5 21. Qe2 Nc6 22. Ng2 Rf7 23. h4
Rdf8 24. Rad1 Nge7 25. h5 g6 26. Nh3 Qf3 27. Qxf3 Rxf3 28. hxg6
Nxg6 29. Ne3 d4 30. Nc2 R3f7 31. cxd4 Nxd4 32. Nxd4 exd4 33. f4 c5
34. a5 b6 35. axb6 Rb7 36. Rc1 Rxb6 37. Rxc5 Rxb2+ 38. Rf2 Rxf2+
39. Nxf2 Ra8 40. Ra5 Ne7 41. Ng4 Nc6 42. Rc5 Ne7 43. Rc7 Kf8 44.
Ne5 a5 45. g4 a4 46. f5 exf5 47. gxf5 Nxf5 48. exf5 Ra5 49. Rc5
Rxc5 50. Nd7+ Ke7 51. Nxc5 a3 52. Kg3 Kd6 53. Nb3 Ke5 54. Kg4 h5+
55. Kg5 h4 56. f6 Ke6 57. Kg6 h3 58. f7 h2 59. f8=Q h1=Q 60. Nc5+
Ke5 61. Qb8+ 1-0


Dolmatov S – Kruppa Y (12) [C53] Ch URS ( 1
liga ), Irkutsk, 1986

1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. c3 Nf6 5. d3 d6 6. O-O
O-O 7. Bb3 a6 8. Nbd2 Ba7 9. Nc4 Ne7 10. Bg5 Ng6 11. Nh4 Bg4 12.
Qc2 Nf4 13. Ne3 Ne6 14. Bxe6 Bxe6 15. Nhf5 h6 16. Bh4 Kh7 17. d4 g5
18. Bg3 Nh5 19. Qe2 Nf4 20. Qf3 Rg8 21. dxe5 dxe5 22. Rfd1 Qf8 23.
Ng4 f6 24. Nfxh6 Rh8 25. Nf5 Kg6 26. h4 Bc4 27. Bxf4 gxf4 28. Nxe5+
1-0


Larsen,B – Torre (2) Brussels, 1987

1. e4 e5 2. Bc4 Nf6 3. d3 c6 4. Nf3 Be7 5. O-O d6 6. Re1
O-O 7. Nbd2 Nbd7 8. a3 h6 9. Ba2 Re8 10. Nf1 Nf8 11. Ng3 Be6 12.
Bxe6 Nxe6 13. d4 Qc7 14. c4 Nh7 15. d5 Neg5 16. Nf5 Nxf3+ 17. Qxf3
Kh8 18. Be3 c5 19. Rac1 Bg5 20. h4 Bxe3 21. Rxe3 Rac8 22. b4 Qd8
23. Qg3 Rg8 24. f4 f6 25. b5 Qd7 26. fxe5 fxe5 27. Qg6 Rcd8 28. Rg3
Nf8 29. Qh5 Nh7 30. Re1 Rdf8 31. Rg6 Rf6 32. Rxf6 Nxf6 33. Qg6 Rf8
34. g4 Ne8 35. g5 Qf7 36. Qxf7 Rxf7 37. g6 Rd7 38. Rf1 Kg8 39. a4
h5 40. Kf2 Nf6 41. Ke3 Kf8 42. a5 Rd8 43. Kd3 Rd7 44. a6 b6 45. Rg1
Ng4 46. Rxg4 hxg4 47. Ke3 Rd8 48. Kf2 Kg8 49. Kg3 Rd7 50. Kxg4 Kf8
51. Kg5 Kg8 52. h5 Kh8 53. h6 gxh6+ 54. Nxh6 Kg7 55. Nf5+ Kf8 56.
Kf6 1-0

 


Examples of variations


3…Bc5 (Giuoco Piano)


Torre Eugenio – Kamsky Gata (1.119) [C53]
Manila (Philippines), 1990

1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. c3 Nf6 5. d3 O-O 6. O-O
d6 7. Bb3 a6 8. Nbd2 Ba7 9. Nc4 h6 10. Re1 Be6 11. Be3 Bxe3 12.
Nxe3 Qd7 13. Nh4 Bxb3 14. Qxb3 b6 15. Nhf5 Kh7 16. Rad1 Rfe8 17.
Nd5 Nxd5 18. Qxd5 Rad8 19. d4 [RLTF] Kg8 20. Ne3 b5 21. h3 Ne7 22.
Qb3 Qc6 23. d5 Qc5 24. a4 Rf8 25. Qc2 Rb8 26. b4 Qb6 27. Ra1 Ra8
28. c4 bxc4 29. Qxc4 f5 30. Rec1 Rac8 31. b5 axb5 32. axb5 fxe4 33.
Ra6 Qd4 34. Qa2 Qd3 35. Rc4 Rxf2 36. Qxf2 Rf8 37. Qe1 Nxd5 38. Ra3
Qxa3 39. Nxd5 Rf7 40. Kh2 Qb3 41. Qxe4 Qxb5 42. Nxc7 Qd7 43. Nd5
Qe6 44. Ra4 g6 45. Ra8+ Kg7 46. Rd8 h5 47. Qc4 Qf5 48. Rxd6 Qg5 49.
Nc7 Qf4+ 50. Qxf4 exf4 51. Ne6+ Kh6 52. h4 Rf6 53. Ng5 Rxd6 54.
Nf7+ Kg7 55. Nxd6 Kf6 56. Ne4+ Kf5 57. Ng5 Kg4 58. Nf3 Kf5 59. Kg1
Kg4 60. Kf2 Kf5 61. Ke2 Kg4 62. Kd3 Kf5 63. Kd4 Kg4 64. Ke4 Kg3 65.
Ke5 Kg4 66. Kf6 Kg3 67. Kg5 1-0

 


3…Nc6 (Two Knight’s Defence)


Nunn John D M – Fernandez Garcia Jose L
Lugano Switzerland, 1983

1. e4 e5 2. Nf3 Nc6 3. Bc4 Nf6 4. d3 Be7 5. O-O O-O 6. Bb3
d5 7. exd5 Nxd5 8. Re1 Bg4 9. h3 Bh5 10. g4 Bg6 11. Nxe5 Nxe5 12.
Rxe5 c6 13. Qf3 Bd6 14. Re2 Qh4 15. Bxd5 cxd5 16. Nc3 Kh8 17. Qxd5
Rad8 18. Bg5 Qxh3 19. Qg2 Qxg2+ 20. Kxg2 f6 21. Bh4 h5 22. gxh5
Bxh5 23. f3 Rfe8 24. Rh1 Kg8 25. Bxf6 Rxe2+ 26. Nxe2 Bxf3+ 27. Kxf3
Rf8 28. d4 Rxf6+ 29. Ke3 Bf8 30. Nc3 Re6+ 31. Ne4 Ra6 32. Ra1 b5
33. d5 Kf7 34. Kd4 g6 35. Nc5 Bg7+ 36. Ke4 Bxb2 37. Rf1+ Rf6 38.
Rb1 Ba3 39. Rxb5 Bxc5 40. Rxc5 Ra6 41. Ke5 Ke7 42. Rc7+ Kd8 43. Rg7
1-0


Taulbut – Rumens Civil Service Open,
1981

1. e4 e5 2. Bc4 Nf6 3. d3 Nc6 4. Nf3 Be7 5. Bb3 O-O 6. O-O
Re8 7. Nc3 d6 8. Ng5 Rf8 9. f4 Na5 10. Nd5 Nxd5 11. Nxf7 Rxf7 12.
Bxd5 c6 13. Bxf7+ Kxf7 14. b4 Qb6+ 15. Kh1 Qxb4 16. Bd2 Qc5 17.
Qh5+ g6 18. Qxh7+ Ke8 19. Qxg6+ Kd7 20. Qg4+ 1-0


Yudasin Leonid – Ivanchuk Vassily (2) Ch
World match cand., 1991

1. e4 e5 2. Nf3 Nc6 3. Bc4 Nf6 4. d3 Be7 5. O-O O-O 6. c3
d5 7. exd5 Nxd5 8. Re1 Bg4 9. Nbd2 Kh8 10. a4 f6 11. a5 Rb8 12. Nf1
Be6 13. Qa4 a6 14. Bxa6 Nxa5 15. Qxa5 Ra8 16. Qb5 Nb6 17. Be3 Bd7
18. Qb3 bxa6 19. d4 e4 20. N3d2 f5 21. d5 Rb8 22. Qa2 Bf6 23. Rad1
Na4 24. Nc4 Bb5 25. Na5 Nxb2 26. Qxb2 Bxf1 27. Qa2 Bb5 28. c4 Bd7
29. Nc6 Bxc6 30. dxc6 Qe8 31. Qxa6 Bc3 32. Rf1 f4 33. Ba7 Ra8 34.
Qb7 f3 35. Qxc7 Be5 36. Qd7 Rxa7 0-1


Kupreichik,V – Yusupov,A Minsk,
1982

1. e4 e5 2. Bc4 Nf6 3. d3 c6 4. Nf3 Be7 5. Nc3 O-O 6. Bb3
Qc7 7. O-O Na6 8. a3 Nc5 9. Ba2 d6 10. b4 Ne6 11. Ne2 a5 12. Bb2
Re8 13. Qd2 Bf8 14. Ng3 c5 15. b5 h6 16. Nh4 Qd8 17. Ngf5 g6 18. f4
gxf5 19. fxe5 dxe5 20. Nxf5 Nf4 21. Rxf4 exf4 22. Qxf4 Bxf5 23.
Qxf5 Bg7 24. Rf1 c4 25. Bxc4 Qb6+ 26. Kh1 Rac8 27. Bxf6 Qxf6 28.
Bxf7+ Kxf7 29. Qh5+ Kg8 30. Rxf6 Bxf6 31. Qxh6 Bg7 32. Qd2 Rf8 33.
g3 Bd4 34. Qg5+ Bg7 35. c4 Rf2 36. e5 Rcf8 37. Qe3 Ra2 38. Kg1 Kh7
39. e6 Bf6 40. d4 b6 41. d5 Be7 42. d6 Rd8 43. h3 1-0


Spraggett,Kevin – Marin,Mihail (06) [C54]
Manila izt, 1990

1. e4 e5 2. Bc4 Nf6 3. d3 Bc5 4. Nf3 Nc6 5. c3 d6 6. Bb3
O-O 7. O-O a6 8. Nbd2 Ba7 9. Nc4 Be6 10. Bg5 h6 11. Bh4 g5 12. Bg3
Ne7 13. Ne3 Qd7 14. Re1 Kg7 15. d4 [RLTF] Nxe4 16. dxe5 d5 17. Nd4
Rad8 18. Qh5 Nc6 19. Nxe6+ Qxe6 20. Rad1 Bxe3 21. Rxe3 Qf6 22. Bxd5
Nxg3 23. hxg3 Nxe5 24. Be4 Ng4 25. Rf1 Qe6 26. Re2 Nf6 27. Qf3 Nxe4
28. Rxe4 Qxa2 29. Rb4 b5 30. Qc6 Qa5 31. f4 Qb6+ 32. Qxb6 cxb6 33.
Ra1 Rfe8 34. fxg5 hxg5 35. Rxa6 Re2 36. Rd4 Rxd4 37. cxd4 Rxb2 38.
Rxb6 f6 Q


Kosten Anthony C – Conquest Stuart (14)
London England, 1989

1. e4 e5 2. Nf3 Nc6 3. Bc4 Nf6 4. d3 Be7 5. O-O O-O 6. Bb3
d6 7. c3 d5 [RLTF] 8. Nbd2 a6 9. Qe2 dxe4 10. dxe4 Bg4 11. h3 Bh5
12. Rd1 Qc8 13. Nc4 h6 14. Bc2 Qe6 15. Ne3 Rad8 16. Bd2 Rfe8 17.
Nf5 Bf8 18. g4 Bg6 19. N3h4 Bxf5 20. gxf5 Qe7 21. Kh2 Nh7 22. Nf3
Rd6 23. Be3 Qd7 24. Rg1 b5 25. Rg3 Rf6 26. Rd1 Qc8 27. Rdg1 Kh8 28.
Qf1 1-0


Kosten Anthony C – Hebden Mark It open,
1987

1. e4 e5 2. Nf3 Nc6 3. Bc4 Nf6 4. d3 Be7 5. O-O O-O 6. Bb3
d6 7. c3 Na5 8. Bc2 c5 9. Nbd2 Re8 10. a3 b5 11. b4 Nc6 12. a4 cxb4
13. axb5 Nb8 14. cxb4 d5 15. Bb2 Bxb4 16. Nxe5 Bb7 17. Ndf3 a6 18.
bxa6 Rxa6 19. Rxa6 Bxa6 20. Ng5 Rf8 21. Bb3 Bb7 22. Nexf7 Qe7 23.
e5 Ne8 24. Qh5 h6 25. Qg6 1-0

 


3…c6 (Paulsen’s Defence to the Bishop’s
Opening)


cf. Nunn-Murey above
Taulbut – Westerinen Brighton, 1981

1. e4 e5 2. Bc4 Nf6 3. d3 c6 4. Nf3 d5 [RLTF] 5. Bb3 dxe4
6. Ng5 Bc5 7. Nxf7 Qb6 8. O-O Ng4 9. Nc3 Rf8 10. Nxe4 Rxf7 11.
Bxf7+ Kxf7 12. h3 Nf6 13. Nxf6 Kxf6 14. Qh5 h6 15. Kh1 Be6 16. f4
Ke7 17. Qxe5 Bd4 18. Qe2 g6 19. f5 gxf5 20. Bxh6 Na6 21. c3 Bh8 22.
Rae1 c5 23. Qh5 Kd7 24. Rxf5 Bg8 25. Rf7+ Kd8 26. Qh4+ Kc8 27. Rf8+
1-0


Vogt,L – Romanishin,O Riga, 1981

1. e4 e5 2. Bc4 Nf6 3. d3 c6 4. Nf3 d5 [RLTF] 5. Bb3 Bb4+
6. Bd2 Bxd2+ 7. Nbxd2 Qc7 8. O-O O-O 9. Re1 Bg4 10. h3 Bxf3 11.
Qxf3 dxe4 12. Nxe4 Nxe4 13. Rxe4 Nd7 14. d4 exd4 15. Re7 Qd6 16.
Rae1 Kh8 17. Bxf7 Rad8 18. Qg4 Nf6 19. Qh4 Qb4 20. Bg6 Rd7 21. Re8
Rd8 22. c3 Rdxe8 23. Rxe8 Qd6 24. Rxf8+ Qxf8 25. cxd4 Qb4 26. b3
Qd2 27. Bf5 Qxa2 28. Qg3 Qe2 29. Qb8+ Qe8 30. Qxb7 g6 31. Bd3 a5
32. Bf1 Qd8 33. Qxc6 Qxd4 34. Qa8+ Kg7 35. Qxa5 Ne4 36. Qe1 h5 37.
Qe3 Qb4 38. Bc4 Nf6 39. Qe5 Qb6 40. g3 Kh6 41. Qe3+ 1-0


Larsen, Bent – Nunn, John (6) London,
1986

1. e4 e5 2. Bc4 Nf6 3. d3 c6 4. Nf3 d5 5. Bb3 Bb4+ 6. Bd2
Bxd2+ 7. Nbxd2 dxe4 8. Nxe5 O-O 9. dxe4 Nxe4 10. Ndf3 Nd7 11. O-O
Nxe5 12. Nxe5 Qf6 13. Qd4 Bf5 14. f4 Qd8 15. Rad1 Qxd4+ 16. Rxd4
Nc5 17. Bc4 Rae8 18. b4 Ne6 19. Rd7 b5 20. Bb3 Rd8 21. Rxa7 Rd2 22.
Nf3 Rd6 23. Nh4 g6 24. Nxf5 gxf5 25. c3 Rd3 26. Rf3 Rxf3 27. gxf3
Rd8 28. Bxe6 fxe6 29. Rc7 Rd1+ 30. Kf2 Rd2+ 31. Ke3 Rxh2 32. Rxc6
Kf7 33. Ra6 Rc2 34. Kd4 Rf2 35. a4 bxa4 36. b5 Ke7 37. c4 Rxf3 38.
Kc5 a3 39. b6 Rb3 40. Ra7+ Kf6 41. Kc6 e5 42. b7 exf4 43. Rxa3
1-0


Vogt,L – Chekhov, Halle, 1981

1.e4 e5 2.Bc4 Nf6 3.d3 c6 4.Nf3 Be7 5.0-0 d6 6.h3 0-0 7.Re1
Nbd7 8.a4 a5 9.Nc3 h6 10.Ba2 Re8 11.d4 Bf8 12.Be3 Qc7 13.Nh4 b6
14.dxe5 dxe5 15.Qf3 Bc5 16.Nf5 Bxe3 17.Rxe3 Kf8 18.Rd1 Ba6 19.Nxh6
Re7 20.Nf5 Ree8 21.g4 Nc5 22.g5 Ng8 23.g6 f6 24.Bxg8 Kxg8 25.Qh5
1-0

 


Example of Queen’s-side advance


Ljubojevic,Ljubomir – Kortchnoi,Viktor (08)
[C54] Brussels SWIFT, 1987

1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. c3 Nf6 5. b4 Bb6 6. d3 d6
7. a4 a5 8. b5 Ne7 9. Nbd2 Ng6 10. O-O O-O 11. Bb3 d5 12. Ba3 Re8
13. exd5 Nxd5 14. Ne4 Ndf4 15. Nfg5 Be6 16. Nxe6 Nxe6 17. g3 Kh8
18. Qf3 f6 19. h4 Ngf8 20. Rad1 Qd7 21. Rfe1 Rad8 22. Bc4 h6 23.
Qh5 Nh7 24. Kh2 Ba7 25. Rf1 Bb8 26. Nc5 Nxc5 27. Bxc5 b6 28. Ba3 c5
29. bxc6 Qxc6 30. Bb5 Qxc3 31. Bxe8 Qxa3 32. Bb5 Bd6 33. d4 exd4
34. Rfe1 Be5 35. f4 Bd6 36. Re8+ Rxe8 37. Qxe8+ Bf8 38. f5 Qf3 39.
Qe6 Qxd1 40. Bc4 Qc2+ 41. Kh3 Qxc4 42. Qxc4 Bc5 43. Kg4 Nf8 44. Qd5
Kh7 45. Kf3 Kh8 46. Ke4 Kh7 47. Kd3 Kh8 48. Kc4 Kh7 49. Kb5 Kh8 50.
Kc6 Kh7 51. Kc7 h5 52. Kd8 Kh6 53. Ke8 1-0


Mestel A Jonathan – Pinter Jozsef [C53] It
(cat.14), Las Palmas (Spain), 1982

1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. c3 Nf6 5. d3 d6 6. b4 Bb6
7. a4 a5 8. b5 Ne7 9. O-O O-O 10. Nbd2 Ng6 11. Ba2 Bg4 12. h3 Bh5
13. Qc2 Nf4 14. Kh2 g5 15. Ng1 g4 16. g3 gxh3 17. f3 Kh8 18. gxf4
Rg8 19. Nxh3 Qf8 20. Nc4 Qg7 21. Ng5 Qh6 22. Nxb6 Bxf3+ 23. Kg3
exf4+ 24. Bxf4 Rxg5+ 25. Bxg5 Rg8 26. Kxf3 Qh3+ 27. Ke2 Rxg5 28.
Rf2 Ng4 29. Qd2 h6 30. Rg1 cxb6 31. Qf4 f5 32. Rxg4 Qxg4+ 33. Qxg4
fxg4 34. Rf5 Rxf5 35. exf5 Kg7 36. Ke3 1-0

French a la carte

I have been looking at French repertoires recently, and thought it was
useful for my own amusement at least to see what various authors
writing for the Black audience recommended.

Repertoire books these days often give you a choice, which is excellent.

Variation McDonald
2008
Watson
1 1984
Watson
2 1999
Watson
3 2007
Moskalenko
2008
Williams
2010
Advance 3…b6 5…Bd7
with 6.a3 c4 and 6.Be2 f6
5…Bd7
with 6.a3 c4 and 6.Be2 f6
5…Bd7
with 6.a3 c4 and 6.Be2 f6
5…Bd7 with 6.Be2 Nge7
5/6…Nh6
(±5…Qb6)
5…Bd7
with 6…f6
Wade
3…c5 4…Qb6 and 5….Bd7 & …Bb5
5…Qb6
with 6.a3 c4
5…Qb6
with 6…Nh6
5…Qb6
with 6…Nh6
5…Qb6
6.a3 c4
—
Tarrasch 3…Be7 3…Nf6
5.Bd3 with 7…Qb6
5.f4 with 7…Qb6
3…Nf6
5.Bd3 with 7…Qb6
5.f4 with 7…Qb6
3…Be7 3…Nf6
5.Bd3 … 6…b6
various ideas against 5.f4, including 7…cxd4 8.cxd4 a5
3…Nf6
5.f4 c5 6.c3 Nc6 7.Ndf3 cxd4 8.cxd4 a5
Fort Knox: 3…dxe4 & 4…Bd7 3…c5 4.exd4 Qxd5 3…c5 4.exd4 Qxd5 3…c5 4.exd4 Qxd5 3…c5 4.exd4 Qxd5 —
Nc3
Nf6
MacCutcheon
4.Bg5 Bb4
Classical with 7…Be7
— — Burn
4.Bg5 dxe4. 5.Nxe4 Nbd7
Classical with 7…Be7
Classical with 7…cxd4
MacCutcheon
4.Bg5 Bb4
—
Winawer 4…Qd7 &…b6 4…c5 main lines with …Qc7 4…c5 main lines with …Qc7 4…b6 5.Qg4 Bf8 4…c5 main line with 5 a3 Bxc3+ 6 bxc3 Ne7 7 Qg4 Qc7 8 Qxg7 Rg8 9 Qxh7 cxd4 10 Ne2 dxc3 11 f4 Nbc6 12 Qd3 d4!?
4…c5 main lines with 7…Qc7 4…c5 main lines with …O-O 4…c5 main lines with …O-O 4…c5 main lines with 6…Qa5 —
KIA Main
line d5/c5/Nc6 with delayed castling.
Sicilian
style: 1…e6/2…c5/3…Nc6/4…g6
Sicilian
style: 1…e6/2…c5/3…Nc6/4…g6
Sicilian
style: 1…e6/2…c5/3…Nc6/4…g6
Sicilian
style: 1…e6/2…c5/3…Nc6/4…g6
3…Nf6
4.Ngf3 Nc6
3…Nf6
4.Ngf3 Bc5
3…c5/4…Nc6/5…Bd6/6…Nge7 3…c5/4…Nc6/5…Bd6/6…Nge7 3…c5/4…Nc6/5…Bd6/6…Nge7
Others:
Wing gambit 3…Bd7 5…d4

Food for thought!  I like McDonald’s trick against the Wing
Gambit, that’s definitely worth a punt.

The London System

I once heard the Torre Attack described as The Old Man’s Bad Habit (Aagaard), and no less a tribute can be paid to the London…

“One problem is that this is actually a pretty good opening”

— Christof Sielecki

The original idea of the London System was as an Anti-KID weapon in the tournament in our capital in 1922, fighting for the control of central dark squares.

Capablanca later played a game that was a good advert for it against Yates in 1924, where again dark square dominance was a theme.

And Frank Marshall used it in his own style, playing for mate in a way that may later have inspired Mark Hebden:

After this initial enthusiasm, the trail goes cold for a while, warming up with the intervention of David Bronstein. Black can hope to make a point about the early development of the Bishop by attacking b2. Sometimes White plays it as a gambit, sometimes White defends with Qc1/Qc2, sometimes White blocks with Qb3, when the Queens are likely to be swapped. One thing that I got out of looking at London games by Bronstein and others is the paradoxical power of doubled pawns. Sometimes Qb3 Qb6 Qxb6 axb6 (or the same with a swap on b3) showed the doubled pawns as a weakness, but sometimes the open a-file and chances to break twice with the b-pawn proved stronger. The creative Bronstein can be found on both sides of the argument.

The London System has a number of advantages for the club player.

  • White’s pieces tend to come to the same sorts of squares each game,
  • it concentrates on some fairly simple aims in the opening (fast, solid development, central occupation) and
  • there isn’t much theory on it because there are no sharp lines.

To some extent, these advantages are all also disadvantages!

  • White’s pieces tend to come to the same sorts of squares each game, so it should be easy to predict and counter.
  • It concentrates on some fairly simple aims in the opening (fast, solid develoopment, central occupation) which can be met happily with the same sorts of strategy.
  • There isn’t much theory on it because there are no sharp lines, which means Black shouldn’t struggle either to find a decent line against it nor to equalise.

So much, so general. In practice, passive or too-simple play by Black can lead to trouble, and, with a space or development advantage, White can attack happily on either side of the board. I’ve lost and struggled against the London throughout my chess career, and watched Peter Lane (formerly of this parish) have some real walk-throughs against strong players with this system. Repertoire books (Soltis 1988, Johanssen & Kovacevic 2009) do give unrealistic numbers of White wins (2/40 losses in Soltis) but they also give you some recipes about how to play, and a player with a plan will usually beat a player without one. It all depends on what ideas you can bring to the game. Magnus Carlsen brings more to a game than most, and he can beat top Grandmasters with the London.

John Cox had a superb introduction to ‘Dealing with d4 Deviations’:

I begged Everyman Chess to let me write this book. All my chess-playing life I have had a terrible record against these feeble variants, as I saw them. The final straw was being utterly slaughtered by Richard Pert in a London league match in the 4 e3 line in Chapter 9. I wanted the incentive to study them and give myself the opportunity to put this right. And for me, it’s worked splendidly. I believe I have really learned something about these systems, and if I am able to pass on to the reader the confidence I have now gained myself, then the job will have been well done.
…

I think it’s worth examining why I used to do so badly against these systems. Dealing with these openings successfully is a matter of psychological approach among other things – it’s not by chance that every work from Black’s point of view called them ‘annoying’ or some synonym. I set out what I now feel were my main failings in this area in the hope others might recognize some of theirs and be inspired to remedy them at less cost in points than I managed.

1) The most obvious point – I didn’t actually have a repertoire at all against, say, the Colle. You just play chess, right? Develop the pieces and equalize.
I remember Grandmaster Vlatko Kovacevic playing the Colle against me back before databases. I had no idea this was his customary weapon of mass destruction, and I thought I must have sat down at the wrong board. A GM playing 3 e3??

With that attitude, it won’t surprise you to learn I got torched on the kingside around about move 25. Only the fact that the game was played in a comparatively minor event has saved me from appearing in every Colle book since on the wrong end of a classic White crush. Time has mercifully obscured the details, but I know I went …d5 and …c5. Pretty soon a knight appeared on e5 and I didn’t seem to be able to shift it. Shortly after that, either the h- or the g-pawn arrived on the premises. Then came Re3, Qh5, and the next thing I knew I was looking like something out of 1001 Winning Chess Combinations. That wasn’t the only such debacle, either; every time my opponent played one of these vile things I was behind on the clock as I worked on my conception of the wheel, and just as you’d expect some of my wheels came out square. Hopefully the remedy to this is obvious – you hold it in your hands.

2) I was bored by these openings: I didn’t consider them interesting.

3) Not only did I not consider them interesting, I didn’t consider them dangerous.

4) A less obvious point, this: to combat these openings successfully requires a good knowledge of many structures. A good chess education, in fact.

5) I didn’t experience the adrenalin surge I got defending ‘my’ openings.

6) Lastly, I wasn’t playing set-ups I was happy and had experience with.

John Cox

And a little tribute to England’s most notable exponent of the system:

It personally brings back some memories of Michael Franklin at some quickplays in London I used to play at. A very strong player, and a very frustrating player to play against. Imagine fantastic quality Staunton sets, and that horrid London system bishop cutting across the diagonal, just waiting with its little cutesy pigeon hole on h2 made by the h3 move, to puncture the opponents pawn structure etc – and kill all the enthusiasm of the up and coming young players.

If you imagine Michael Franklin as a kind of chess Dracula, sucking all the enthusiasm and counterplay out of the position and his opponents, you begin to feel the nature of the opening and the people that really excel at using it. And yes even with a minority attack, those sorts of players will just wait to pounce on any weaknesses you dare create on the Queenside. They literally look forward to you entertaining them trying to attack them anywhere waiting to pounce on weaknesses created …

Tryfon Gavriel

Let’s look at some specific lines.

London main lines with 1.d4 d5

Symmetrical Variation

Nunn’s Chess Openings gives the extremely unimpressive variation

1.d4 d5 2.Nf3 Nf6 3.Bf4 Bf5 4.e3 e6 5.Bd3 Bxd3 6.Qxd3 Bd6 7.Bxd6 Qxd6…

but putting a bit of pawn pressure on the centre with 4.c4 helps a lot. Conversely, Black may do best by playing an early …c5 instead of copying White.

Two Knights Variation

This was reckoned to be the perfect defence against the London because of the line


…
Now if Qc2 Bf5! Qxf5? Qxb2!

So, rather than suffer the indignity of Qc2 Bf5! Qc1, White might take on b6. After 9.Na3 Black should probably keep the Knight out of b5 with 9…Ra5, but if I had this with Black I would be strongly tempted by 9…Rxa3!?

Tony Miles then started introducing the London with 2.Bf4.
Now if Black tries the same idea, there may be trouble:

So, J/K rolled out a repertoire book called Win with the London System, which heavily featured 2.Bf4, and it is in this form that it has become most popular recently.

However, Eric Prie wrote a scathing review of this book, saying it disregards or under-emphasises the best lines for Black.

https://www.chesspublishing.com/content/8/feb06.htm

Eric claims full equality for Black in several lines:

Eric declares the early …c5 system a complete solution for Black.

(Black can even try a very early …c5 with 1.d4 d5 2.Bf4 c5!? to which some players have replied in the spirit of the Albin Counter-Gambit with 3.e4!?, but I’m by no means sure who has more to fear there.)

All-purpose System

Straightforward solid development ought to be OK but, after an early …e6, White can sometimes whip out an attack on the King’s-side, using e5 to hold down the Black position. It can look like an improved Stonewall Attack!

I couldn’t find Kovacevic-Cox but it may have looked and felt a bit like that game…

Cox and others recommend equalising with 6…Bd6, as Michael Adams likes to do. In theory, White should welcome exchanging Black’s better Bishop, but has to waste a move with either Bxd6 or Bg3 or suffer a muddling of the pawns on f4. Ne5 sometimes works, blocking the exchange, but a bit of analysis suggested 7.Ne5 is not great now.

In general, White won’t mind …Bxg3 or even…Nxg3, when hxg3 opens the h-file for a Rook on h1, but after castling, will want to avoid the doubled pawns by a preliminary h2-h3.

But White found a fabulous idea in the main line:

So, avoid that for sure!

Another trap:


J/K give

and then suggest

(11. Qg4 O-O 12. f4 Nf6 13. Qf3 Ne7 14. Bd3 Qb6 15. Rb1 +=)

This is typical of repertoire books: a failry long line is given as += without suggesting where Black might have gone wrong. I don’t dispute the final +=, but if you want to play this for Black, you can certainly try the same plans as in the game: 12…a6 and then either 13…f5 stopping White’s f-pawn or 13…b5 starting queenside play, or both. The authors do not suggest that these ideas were mistaken nor give any argument for getting the Queen in front of the b-pawn with …Qb6. There are so many moves and variations in that book, but you come away thinking that fewer moves and more thinking would have made a much better book! But maybe not one so easy to produce.

You can abandon all finesse with Aagaard and Lund’s 1.d4 d5 2.Nf3 e6 3.Bf4 Bd6, which they consider easily equal. Instead, 1.d4 d5 2.Bf4 e6 3.e3 Bd6 4.Bxd6 Qxd6 5.Qg4!? is a try for advantage, perhaps the only one.

London lines against Indian systems

London vs Grunfeld

Only as I was driving over, thinking through how to structure this talk, I realised I had omitted looking at the Grunfeld set-up. Let me repair my omission here:

London vs King’s Indian

This is where we came in. I have a suspicion that going for …e5, as recommended by Gallagher, plays into White’s hands a little, while …c5, as recommended by Dembo, is less easy for White to play against. But I expect both should equalise; White’s system is too indirect.

London vs Modern

I think White is well-advised to try a different move order here. Black can get in …e5 quickly and easily, and other attempts by White are not convincing.

London vs …e6.

“It is more pleasant to play Bf4 once Black has played e6”. – Magnus Carlsen.

Black has a fair choice of systems here

Sielicki recommends going for a Hedgehog set-up against the London with …e6 and …d6.
…

Miserable, but while I've seen 6.Nc4 given as += I expect 6...cxd4 7. exd4 d6 may be perfectly playable.
In the game, 7...Bd6 8.Bb5+ Kf8 is more defensible.

Eric Prie suggests, contra Carlsen, that 1.d4 e6 2.Bf4 is not so threatening for Black, as 2...c5 and 3...Qb6 is not convenient to meet.

Another trap:

London vs Dutch

Soltis disparages White's chances, as Black is well-placed to play ...e5, while J/K concede that Black is fine after

The Stonewall Dutch is unattractive after Bf4 ...

...but the Leningrad can be essayed. Before you see Nf3, watch out for ideas of h4 by White.

Move orders

We have learned that 1.d4 d5 2.Nf3 Nf6 3.Bf4 may be improved by 1.d4 d5 2.Bf4.

But after 1.d4 Nf6 2.Nf3, 2...d5! May give White a problem

And is 1.d4 Nf6 2.Bf4 too early to show White's hand?

White can try to hand back the problem with

1.d4 Nf6 2.Nf3 d5 3.c3!?

...hoping that Black might allow a decent version of the London or perhaps the Torre. Cox and Ladkawala each discuss this move order; the Rowson-Haslinger game may be a pain for Black but there's nothing wrong with 5...Nf6 first and then 6...Bd6

Transpositions

The transpositions that I know about and I think are the most important are:

Queen's Gambit Declined Blackburne Variation

1.d4 d5 2.Nf3 Nf6 3.Bf4 e6 4.e3 Be7 5.c4 O-O 6.Nc3

is the same as

1.d4 d5 2.c4 e6 3. Nf3 Nf6 4.Bf4 Be7 5.Nc3 O-O 6.c4

Queen's Gambit Slav Defence Exchange Variation

1.d4 d5 2.Nf3 Nf6 3.Bf4 c5 4.c3 cxd4 5.cxd4 Nc6

is the same as

1.d4 d5 2.c4 c6 3.Nf3 Nf6 4.cxd5 cxd5 5.Bf4 Nc6

Caro-Kann Defence Exchange Variation

1.d4 d5 2.Nf3 Nf6 3.Bf4 c5 4.e3 cxd4 5.exd4 Nc6

is the same as

1.e4 c6 2.d4 d5 3.exd5 cxd5 4.Bf4 Nf6 5.Nf3 Nc6

Queen's Indian Miles Variation

1.d4 Nf6 2.Nf3 e6 3.Bf4 b6 4.c4

is the same as

1.d4 Nf6 2.c4 e6 3.Nf3 b6 4.Bf4

And I expect with some cooperation on both sides, we could get to the Bf4 lines against the Benoni.

Bibliography

WATTS/MAROCZY (ed. Regis) The International Chess Tournament London 1922

SOLTIS Winning with the London System

JOHANSSEN et al. Win with the London System

LADKAWALA The London System Move by Move

NUNN et al. Nunn's Chess Openings

AAGAARD & LUND Defending 1.d4

COX Dealing with 1.d4 Deviations

GALLAGHER Beating the Anti-King's-Indians

DEMBO Fighting the Anti-King's-Indians

BOROS Bust the London System! | Strategy Session https://www.youtube.com/watch?v=Nj6Im1MVh_o

SIELECKI Fight the London System with Black Pt 3 - ...Nf6 e6 Setups (Nimzo, Queens Indian) https://www.youtube.com/watch?v=_YARzPWgDSQ (featuring the 'headshock')

Also on YouTube: Simon Williams has posted some summaries of chapters from his DVD and an update on developments since the DVD came out.

Opening Workshop 2018

Opening recommendations for beginners

    • Your choice of opening will rest (or should rest) on several considerations: your style and temperament as a chessplayer, your time and aptitude for study, and your ambitions as a player.  The standard recommendation for a junior with little experience is to play open, attacking lines with 1.e4 with both colours — this will let them some fun, will get their eye on for important basic tactics, and instil a sense of the importance of activity and development that should last them the rest of their lives, and they will likely enjoy learning a few lines and traps.  But for an older player, perhaps more interested in getting a playable game while doing as little study as possible, then the Colle System or London System might suit better as White, and the French or Caro-Kann and Slav as Black.  For someone with more affection for attacking chess, the Vienna and Closed Sicilian could suit.
  • Do you need a second-string opening?
    • All else being equal, yes!
    • This does not mean, mugging up on a new system the night before (many risks to this)
    • It means, keeping a second opening system simmering in the background (friendlies, occasional serious games) all the time
    • It helps if your second-string system is:
      • Low on theory – nothing sharp
      • Easy to learn – using a similar set-up in each game
      • Related to systems you already play
    • Because of this last point, it isn’t easy to recommend one for everyone, but:
      • Low on theory/easy to learn: Colle, London, King’s Indian Attack, Closed Sicilian; Fort Knox, Stonewall, Scandinavian, Old Indian
      • Related to systems you already play: e.g. Worrall Attack for a Ruy Lopez player, Keres Defence for a Nimzo/Bogo player, King’s Indian for a Modern Defence player, Accelerated Dragon for a Dragon player,
  • Playing White against the Budapest Gambit

  • A non-standard line for Black against Bird’s Opening
    • From’s Gambit (1.f4 e5) may not be satisfactory — and you have to be prepared for a transposition to the King’s Gambit with 2.e4 — while White can be relied upon to know the main lines with 1…d5.  What else is there?
    • Richard Palliser recommends in Beating Unorthodox Openings to play either 1…d5 2.Nf3 Bg4 or 1…d6 with the idea of an early …Bg4 and …e5.  This system is missing from Taylor’s popular book.
    • Just generally, I think that’s the right sort of line to try and find: the main lines will be familiar to your opponent and there is more to learn, even if they are the best lines. Something sound but offbeat shouldn’t be too hard to find. For similar reasons, I have recommended 1.b4 c6
  • How do you not get mated against the King’s Indian?
    • First, let’s see the problem. In the main lines, we get a fixed pawn centre where Black is more or less obliged to hack down the King’s-side while the Queen’s-side burns.
    • 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. Nf3 O-O 6. Be2 e5 7.O-O 7… Nc6 8. d5 Ne7 9.Ne1 Ne8 10. Be3 f5 11. f3 f4 12.Bf2 g5
    • You can just try and get better at defending, as that Queen’s-side attack is very appealing. But if not?
    • The Benko line tries to tie up the King’s-side before pursuing Queen’s side play
    • 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. Nf3 O-O 6. Be2 e5 7.O-O Nc6 8. d5 Ne7 9.Ne1 Ne8 10. f3 f5 11. g4 *
    • A line with a similar idea is the old Petrosian main line:
    • 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. Nf3 O-O 6. Be2 e5 7. d5 Nbd7 8. Bg5 h6 9. Bh4 g5 10. Bg3 Nh5 11. h4 *
    • The Averbakh line is directed against Black’s …e5 idea
    • 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. Be2 O-O 6. Bg5 e5 7. dxe5 dxe5 8. Qxd8 Rxd8 9. Nd5
    • The Samisch rather fancies some King’s-side aggression for White:
    • 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. f3
    • Paul likes the Smyslov Variation: if Black insists on lashing out on the King’s-side, then all they may achieve is a position full of targets:
    • 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. Nf3 O-O 5. Bg5 d6 6. e3 Nbd7 7. Be2 h6 8. Bh4 g5 9. Bg3
    • More steady play by Black can result in a position where they have no easy plan:
    • 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. Nf3 O-O 5. Bg5 d6 6. e3 Nbd7 7.Qc2 c6 8. Be2 h6 9. Bh4 g5 10. Bg3 e5 (10…Nh5 11. Nxg5) 11. O-O Re8 12. dxe5 dxe5 13.Rfd1 Qc7 14. Rac1)

White tries against the Budapest Gambit

An appetiser: the Englund Gambit

Brian complained that he lost quickly facing this line. You might guess he fell into a trap which may be the main hope of Black when playing this line:

Perhaps White can survive and even thrive after 6.Nc3, but why invite trouble? Once you know …Qb4+ might be a problem, improvements are not hard to find. 4.Nc3 is simple and good.

Anyhow, back to the Budapest Gambit. A brief statement for the defence: the first famous game played using it, and a more recent example.


And the prosecution:

The repertoire books I have available all assure us that you can get a safe plus against the Budapest without much effort.

They all recommend different lines, however! I don’t know if that is so reassuring…

The Caro-Kann Defence

Firstly restrain…

1.e4 c6 2.d4 d5

Black counters in the centre, provoking an immediate crisis. White must defend or dodge.

The Caro Kann has a reputation of being a boring defence. It is quite deserved, I believe. Black aims for a solid position where White’s space and activity can be held in check and in the end neutralised by exchanges. It is a system free from weaknesses and has been popular among top Grandmasters for many years.

It is not, however, your best choice if you want to play for a win, unless your technique is very good.

This is the key structure in the Caro-Kann — neither White nor Black has to agree to it, but it is seen in the vast majority of games in this defence.

--------pp--pppp--p----------------PN-----------PPP--PPP--------

What can we say about this?

  • White has more space and easy development. White can hope to turn that to advantage.
  • Black will try and hold back White’s pieces by careful development and exchanges
  • Black can develop the Bc8 happily (unlike the French) then move …e6
  • The best way for Black to hit back in the centre is …c5, which will lose a tempo (unlike the French)

The attempt to find a dynamic Caro-Kann with 5…gxf6 created a bit of interest, but, as is often the case, White found some antidotes and that line is no longer tried as often.

It’s hard to demonstrate a plus against the Caro-Kann, and, even with a plus, you might not win. So White players have tried very hard, and the theory in some of these lines is deep and subtle. White trying hard means that some of the lines have got quite sharp, and, if White really goes for it, winning chances for Black may reappear.

The main lines

The big main lines start with:

1.e4 c6 2.d4 d5 3.Nc3 dxe4 4.Nxe4

There was a time when Black would often try the Gurgenidze line with 3…g6, trying to blockade on the light squares, when White might prefer to have a pawn and not a Knight on c3. So 3.Nd2 may be a finesse.

Anyhow, Black’s turn…

4…Nf6

5.Nxf6 exf6

This was always thought of as a fairly duff line as White has a useful Queen’s-side majority while Black’s four King’s-side pawns are messed up and not useful. There’s a lot of chess to be played between 5…exf6 and 80.c8Q but White always has that idea up their sleeve.

More gloom for Black appeared when a more direct attacking plan was found to be successful.

One of the heroes of the Caro-Kann, Ulf Andersson, showed some better ideas for Black in this line:

But like I say, your technique has to be good.

5.Nxf6 gxf6

Doubled pawns are known to be a disadvantage but they offer a half-open file and some extra central control. White can squelch much of Black’s fun with 6.g3 and Bg2.

4…Nd7

Black wants to play …Ngf6 without getting doubled pawns. Black has given up the centre, and is playing passively, so White can hope to get an initiative by playing with maximum speed and aggression.

When I was a boy, ‘sensible’ play beginning 5.Nf3 had been replaced with more pointed play with 5.Bc4.

These days it’s all about 5.Ng5, daring Black to try and chase it away with …h6.

Two famous games in this line:

4…Bf5

The big main line goes…

and while White can play this for a win, Black still has hopes of holding.

White can try some fiddles to derail Black along the way, but they are not anything to terrify Black.

Other tries for White

The advance variation

3.e5

This has been an important line and one infused with some newer ideas. Structurally, Black wants to play …Bf5, …e6 and …c5 to create some play; White can use the early commitment of Black’s Bishop to harass it. Early pioneers would chase Bishop with pawns, while later enthusiasts found piece play would do as well. Nigel Short later played the line more simply, declaring his pieces more active.

The Exchange Variation

3.exd5 cxd5

Not a bad try, and one I have tried with success. White goes for a small edge in a quiet position, hoping to post their pieces actively and accurately.
White can try to deny Black’s Bc8 its best square with 4.Bd3; after 4…Nc6 5.c3 Qc7 Black returns the disfavour.

The Panov-Botvinnik Attack

3.exd5 cxd5 4.c4

White throws the game into sharper and more open territory. When it arrived on the chess scene, it was a mighty terror, but Black players have calmed down since. I still often recommend this line for White; there is an excellent book on this variation by Aagaard.

The Fantasy Variation

3.f3

White adopts an aggressive attitude, not accepting that the pawn on e4 need be moved nor that it be replaced by a piece. The move f3 is a little awkward but it leads to complex positions that may be to your liking.

Apart from that, it's considered an unimportant try for White, but may give you the sort of closed game you like.

The Goldberg Variation

2.Nc3 d5 3.Qf3

An early favourite of Short, it has some points in its favour, but has never been a popular try.

The King's Indian Attack

2.d3

Another resort for lazy White players: you can plonk your pieces on the same squares in each game.

Or, if you're a genius, you can suddenly change gear with effect.

The Two Pawns' Variation

2.c4

White is just being awkward... This move order may be a fair way to reach lines of the Panov without offering Black the chance to play the best setup against the IQP (H/T: John Emms).

Playing Black against Queen’s-Pawn Openings (3): without c2-c4

A2 Playing actively against
1. D4

The Stonewall
Attack

I will follow some lines from Fine in his 1943 book
The Ideas behind the Chess Openings. You
will soon see the connection with this section.

 

Start: 1. d4 d5 2. e3 Nf6 3. Bd3

[3. f4 is sometimes played to avoid the 3…Nc6
line]

3… c5

[More to the point is 3… Nc6 4. f4 [

or 4. c3 e5

] 4… Nb4 5. Nf3 Nxd3+ 6. cxd3 g6 7. Nc3 Bg7 8. O-O O-O]

4. c3 Nc6 5. f4

r+bqkb-r
pp+-pppp
-+n+-n-+
+-pp+-+-
-+-P-P-+
+-PBP-+-
PP-+-+PP
RNBQK-NR

Now play might go:

5… e6 (which doesn’t look quite right, as it blocks
the Bc8)

6. Nf3 Bd6 7. O-O O-O 8. Ne5 Qc7

White’s threatening Ne5 needed some response; Black could also
try to occupy e4

9. Nd2 Re8 10. g4 (DIAGRAM)

with a crushing attack.

This is the ideal Stonewall position.

r+b+r+k+
ppq-+ppp
-+nbpn-+
+-ppN-+-
-+-P-PP+
+-PBP-+-
PP-N-+-P
R-BQ+RK-

Let’s go back to the first diagram.

Instead, we might try for Black 5… Bg4,

and play then might go 6. Nf3 e6 7. Nbd2 Bd6 8. h3 Bh5
9. b3 cxd4 10. cxd4 Rc8 (DIAGRAM)

Black is comfortable
-+rqk+-r
pp+-+ppp
-+nbpn-+
+-+p+-+b
-+-P-P-+
+P+BPN+P
P+-N-+P+
R-BQK-+R

Because Black can see what White is up to, Black can arrange the
development to counter it. White’s opening plan is not camouflaged
enough to stop Black from seeing what is going on and opposing it,
and the opening moves are not flexible enough to try any other
plan. This is why you don’t see the Stonewall very often among
stronger players.

One place where the Stonewall formation will not go away is
Black playing it in the Dutch Defence. Why is this more
common?

­ White, starting first, is usually trying to get an
advantage and won’t play just to equalise with moves like Bf4,
Bxd6, Ne5 and f4.

­ Instead, White will often adopt an attacking formation on
the Queen’s side to start with and so there is a tendency for each
side to attack on opposite sides.

­ White often plays g3 and Bg2, creating a slow game with a
slightly weakened King’s side. Black can hope to get the …f4
break in at some point.

This may help explain why you see the Stonewall is a better idea
played a move behind in the Dutch Defence than played straight away
as White. Perhaps the real reason is that World Champion Mikhail
Botvinnik kept playing and winning with it for decades. Take a look
at these games:

 

A2.1 The Dutch Defence,
Stonewall Variation

Rabinovitch – Botvinnik (Ussr Ch’p,
1927)

1. d4 e6 2. c4 f5 3. g3 Nf6 4. Bg2 Be7 5. Nc3 O-O 6. Nf3
d5 7. O-O c6 8. Qc2 Qe8 9. Bf4 Qh5 10. Rad1 Nbd7 11. b3 Ne4 12. Ne5
Ng5

[12… Bf6 is better, says MB]

13. h4

[13. f3 Nh3+ 14. Bxh3 Qxh3 15. e4 += MB]

13… Ne4 14. Bf3 Qe8 15. Nxd7 Bxd7 16. Kg2
Bb4

r+-+qrk+
pp+b+-pp
-+p+p+-+
+-+p+p+-
-bPPnB-P
+PN-+BP-
P+Q+PPK+
+-+R+R+-

White seems to have defended more than got on with his own
plans. He now makes a mistake:

17. Bxe4 ? 17… fxe4 18. Rh1 Qh5 19. f3 Qg6 20. Kf1 e5
21. dxe5 Rxf4 22. gxf4

r+-+-+k+
pp+b+-pp
-+p+-+q+
+-+pP-+-
-bP+pP-P
+PN-+P+-
P+Q+P+-+
+-+R+K+R

Black has some clear achievements: the open g-file, the two
bishops, the upset White King.

22… Qg3

threats …Bc5/…e3

23. Nxe4 dxe4 24. Rxd7 Bc5 25. e3 Qxf3+ 26. Qf2 Qxh1+
27. Ke2 Qh3 28. f5 Qg4+ 29. Kd2 Rf8 30. e6 Qxf5 31. Qxf5 Rxf5 32.
Rxb7 Rf2+ 33. Ke1 Rf6 34. b4 Bxe3 0-1

 

Another decisive King’s side attack:

Steiner – Botvinnik, Groningen,
1946

1. d4 e6 2. c4 f5 3. g3 Nf6 4. Bg2 Bb4+ 5. Bd2 Be7 6.
Nf3 d5 7. Nc3 c6 8. O-O O-O 9. Bf4 Qe8 10. Qc2 Qh5 11. Rae1 Nbd7
12. Nd2

Aiming at e4, but too slowly. Another plan is to attack c6 with
the b-pawn.

12… g5 13. Bc7 Ne8 14. Be5 Nxe5 15. dxe5
f4

Black’s plans are well-advanced; e4 will now be answered by
..f3

16. gxf4 gxf4 17. Nf3 Kh8 18. Kh1 Ng7 19. Qc1 Bd7 20. a3
Rf7 21. b4 Rg8

-+-+-+rk
pp+bbrnp
-+p+p+-+
+-+pP-+q
-PP+-p-+
P-N-+N+-
-+-+PPBP
+-Q-RR+K

Making use of the open g-file

22. Rg1 Nf5 23. Nd1 Rfg7

-+-+-+rk
pp+bb-rp
-+p+p+-+
+-+pPn+q
-PP+-p-+
P-+-+N+-
-+-+PPBP
+-QNR-RK

Black has a winning position

24. Qxf4 Rg4 25. Qd2 Nh4 26. Ne3 Nxf3 27. exf3 Rh4 28.
Nf1 Bg5 0-1

-+-+-+rk
pp+b+-+p
-+p+p+-+
+-+pP-bq
-PP+-+-r
P-+-+P+-
-+-Q-PBP
+-+-RNRK

if the Q moves, …Bf4 forces mate.

Here’s an important game against a powerful rival.

 

Flohr – Botvinnik (10) Match,
1933

1. d4 e6 2. c4 f5 3. g3 Nf6 4. Bg2 Be7 5. Nc3 d5 6. Nf3
c6 7. O-O O-O 8. b3

[8. Bf4 is better, says Botvinnink, or 8. Qc2 Qe8 9. Bg5
with Bxf6]

8… Qe8 9. Bb2 Nbd7 10. Qd3

[ 10. Ng5 Bd6 11. f4 Botvinnik]

10… Qh5 11. cxd5

[11. Bc1 Botvinnik]

11… exd5 12. Nd2

[12. Ne1 and f4]

12… Ne4 13. f3

[13. f4 is now met by 13… Nxd2 14. Qxd2 Nf6 when White
cannot really hope to get the N to e5]

13… Nxc3 14. Bxc3 f4 ! 15. Rfe1 Bd6 16. Nf1 Rf7 17. e3
fxg3 18. Nxg3 Qh4 19.Nf1 Nf6 20. Re2 Bd7 21. Be1 Qg5 22. Bg3 Bxg3
23. Nxg3 h5!

r+-+-+k+
pp+b+rp-
-+p+-n-+
+-+p+-qp
-+-P-+-+
+P+QPPN-
P+-+R+BP
R-+-+-K-

the final phase

24. f4 Qg4 25. Rf2 h4 26. Bf3

[26. h3 Qe6 27. Nf1 Ne4 is still -+]

26… hxg3 27. Bxg4 gxf2+ 28. Kg2 Nxg4 29. h3 Nf6 30.
Kxf2 Ne4+ 0-1

 

And lastly, a more complicated game from an early
tournament:

Yudovitch – Botvinnik,
1934

1. c4 f5 2. d4 Nf6 3. g3 e6 4. Bg2 Be7 5. Nf3 d5 6. O-O
O-O 7. Nc3 c6 8. Qc2 Qe8 9. Bf4

[9. Bg5 Chekhover]

9… Qh5 10. b3 Nbd7 11. Rad1 Kh8 12. Kh1

a loss of tempo, and perhaps not even a better square

12… Rg8 13. e3 g5 14. Bc7 Ne8 15. Be5+ Nxe5 16. Nxe5
Nf6 17. f3

r+b+-+rk
pp+-b-+p
-+p+pn-+
+-+pNppq
-+PP-+-+
+PN-PPP-
P+Q+-+BP
+-+R+R+K

the right plan for White

17… Bd6 18. e4 Nd7 19. g4

[19. Nxd7 Bxg3]

19… Qe8 20. Nxd7 Bxd7 21. e5 Bb4 22. gxf5 exf5 23.
cxd5

r+-+q+rk
pp+b+-+p
-+p+-+-+
+-+PPpp-
-b-P-+-+
+PN-+P+-
P+Q+-+BP
+-+R+R+K

 

23… Bxc3 24. dxc6 risky 24… Bxc6 25. Qxc3 Qe6 26.
Qd2 Bd5 27. Rc1 Rg7 28. Rc2 f4 29. Qc1 Rag8 30. h3 h5 31. Kg1 g4
32. hxg4 hxg4 33. Kf2 Rh7 34. Rh1 g3+ 35. Ke1 Rxh1+ 36. Bxh1 Qh6
37. Bg2

the last move before the time-check

37… Bc6

[37… Be6]

38. a4 Bd7

going for complications instead

[38… Bd5]

39. d5 Bf5 40. Rc7 Qh2 41. Qb2 Qg1+ 42. Bf1 Qe3+ 43. Be2
Be6 44. Qc2 Rg7

-+-+-+-k
ppR-+-r-
-+-+b+-+
+-+PP-+-
P+-+-p-+
+P+-qPp-
-+Q+B+-+
+-+-K-+-

45. dxe6

[45. Rc8+ Bg8 46. Qf5 and Rxg8+, getting perpetual]

45… Qf2+ 46. Kd2 Qd4+

controlling d8

47. Ke1 Rxc7 0-1

 

Since Nigel Short has ventured the Stonewall on occasion
interest in the opening has grown again.



Martin – Troger [A94] 1995

1. Nf3 f5 2. d4 Nf6 3. g3 e6 4. Bg2 Be7 5. O-O O-O 6. c4
d5 7. b3 c6 8. Ba3 Bd7 9. Bxe7 Qxe7

rn-+-rk+
pp+bq-pp
-+p+pn-+
+-+p+p+-
-+PP-+-+
+P+-+NP-
P+-+PPBP
RN+Q+RK-

Black has played it the old-fashioned way: more interest
recently has been in the idea of parking the Queen’s Bishop on b7.
White has responded with another traditional recipe – exchange off
Black’s good bishop and milk the dark squares.

10. Nc3 (?)

Martin was unhappy about this natural move afterwards.
Either

[10. Nbd2 Be8 11. Ne5 Nbd7 12. Ndf3 Bh5]

or

[10. Qc1 Be8 11. Qa3 Qxa3 12. Nxa3 Nbd7]

could have been tried, but Black is by no means losing either
game.

10… Be8 11. Qc2 Nbd7 12. cxd5 cxd5!

[Not 12… exd5 13. Qxf5 Ne4 14. Nxd5 cxd5 15. Qxd5+ Bf7 16.
Qxb7]

13. e3 Bh5 14. Rfc1 Bxf3 15. Bxf3

r+-+-rk+
pp+nq-pp
-+-+pn-+
+-+p+p+-
-+-P-+-+
+PN-PBP-
P+Q+-P-P
R-R-+-K-

=+ Martin

15… Rac8 16. Qb2 Nb6

[16… Nb8]

17. a4 g5 18. a5 Nbd7 19. a6 b6 20. Be2 Nb8

Right idea but too late: White is now better.

21. Nb5 Nc6 22. Rc2 Nd7

[22… Nb4 23. Rxc8 Rxc8 24. Qa3]

23. Rxc6

else …Nd7-b8 and Black is ready to attack the King

23… Rxc6 24. Nxa7 Rc7 25. Nb5 Rcc8 26. a7 Nf6 27.
Qa2

-+r+-rk+
P-+-q-+p
-p-+pn-+
+N+p+pp-
-+-P-+-+
+P+-P-P-
Q+-+BP-P
R-+-+-K-

27… Kg7 28. Qa6 Qd8 29. Qb7+ Kg6 30. Ra6 Ra8 31. Nc7
Qe7 32. Qxb6 Qd8 33. Nxa8 Qxa8 34. Qxe6 Rf7 35. Bd3
1-0

 

A2.2 White avoids the
Stonewall

There is no Exchange Variation against the Dutch but there are
some annoying ways for White to avoid the Stonewall. You can avoid
all these by playing first …d5, …e6, …c6 and …f5, but you
must then face the Exchange QGD.

1. d4 f5

A2.2a Modern System with Bg5xf6

2. Nc3 Nf6 3. Bg5 d5 4. Bxf6 exf6 5. e3 Be6 6. Bd3
g6

This is currently very popular. I offer you a selection of games
in the examples section.

 

A2.2b Staunton Gambit with e4

2. e4 fxe4 3. Nc3 Nf6

Now White can play:

(a) 4. Bg5 Nc6 5. d5 Ne5 6. Qd4 Nf7 7. Bh4

[7. Bxf6 exf6 8. Nxe4 f5 9. Ng3 g6 10. O-O-O Bh6+ 11. f4 O-O
12. Nf3 Bg7 13. Qd2 b5 14. Nd4 Nd6

r+bq-rk+
p-pp+-bp
-+-n-+p+
+p+P+p+-
-+-N-P-+
+-+-+-N-
PPPQ-+PP
+-KR+B+R

= BCO2]

7… g5 8. Bg3 Bg7 9. O-O-O

[9. Nxe4 O-O]

9… c6 =+ BCO2

 

(b) 4. f3

4… Nc6

[4… d5 5. fxe4 dxe4 6. Bg5 Bf5 7. Bc4 e6

[7… Nbd7 8. Nge2 Nb6 9. Bb3 Qd7 = BCO2]

8. Nge2 Bb4 9. O-O c6 =]

5. fxe4 e5 6. dxe5 Nxe5 7. Nf3 d6 8. Bf4
Ng6]]

 

A2.2c Korchnoi Gambit with g4

Korchnoi has offered a number of gambits with g2-g4, making use
of the target on f5.

See the example game Menadue-Pert.

 

A2.2d Others

These shouldn’t be any problem

BCO2 gives:

2. Qd3 d5 3. Bf4 e6 4. Qg3 Na6 5. e3 c6 =+

Ivkov


Examples of White avoiding the Dutch

Karayannis-Bellin 1993

1. d4 e6 2. c4 f5 3. e4

rnbqkbnr
pppp+-pp
-+-+p+-+
+-+-+p+-
-+PPP+-+
+-+-+-+-
PP-+-PPP
RNBQKBNR

This almost forgotten gambit is not much worse than the
others which surface sporadically. Even though dubious, all such
gambits require precise defence from Black. — BELLIN

3… fxe4 4. Nc3 Nf6 5. g4 h6 6. h4 d5 7. Nh3 Nc6 8. Nf4
e5 9. Ng6

[9. dxe5 Nxe5 x f3]

[9. Nfxd5 exd4 10. Nxf6+ Qxf6 11. Nd5 Bb4+ is also
fine]

9… Bxg4 10. Qa4

White insists on being shown, but 10. Be2 was better

10… exd4 11. Nxh8

[11. Nxd5 Nxd5 12. cxd5 Bb4+ 13. Bd2 Bxd2+ 14. Kxd2 Qxd5 and
the White King will not survive …e3+]

11… dxc3 12. bxc3 d4 13. Rb1

[13. Ng6 dxc3 14. Ne5 Bb4 15. Nxc6 Qd2+ 16. Bxd2
cxd2#]

[13. Bh3 Bxh3 14. Rxh3 Qd7 15. Rg3 Bd6 is very good for
Black]

13… dxc3 14. Rxb7

[14. Bh3 Qd3]

[14. Ng6 Qd7 and White is all but paralysed]

14… Qd7 15. f3

[15. Rb5 Bb4 16. Rxb4 Nxb4 17. Qxd7+ Kxd7]

[15. Bh3 Bxh3 16. Rxh3 Bb4 17. Rxb4 Nxb4 18. Qxb4 Qxh3 19.
Ba3 O-O-O]

15… exf3 16. Be3 Bc5 17. Rxc7 Qd2+ 18. Bxd2
f2#

A triumph for the spear-carriers

 

Menadue – Pert 1995

1. d4 e6 2. Nf3 f5 3. h3 Nf6 4. g4 b6

Normally White would try to blot this out by d5 but there is no
Pc4

5. gxf5 exf5 6. Bg2 Bb7 7. Bg5 Be7 8. Nc3 O-O 9.
h4

rn-q-rk+
pbppb-pp
-p-+-n-+
+-+-+pB-
-+-P-+-P
+-N-+N+-
PPP+PPB+
R-+QK-+R

White is wasting too much time on attacking-looking moves but
has no real plan.

[9. d5!?]

9… Qe8 10. Qd3 Nc6 11. O-O-O

[11. Qxf5 Nb4 12. O-O-O Ne4 -+]

11… Nb4 12. Qc4+ d5 13. Qxc7 ?

opens a file against the King

13… Ba6 14. Qe5 Rc8 15. Qxf5 ?

[15. a3]

15… Rxc3 16. Qe6+ Kh8 17. bxc3 Nxa2+ 18.
Kd2

-+-+qr-k
p-+-b-pp
bp-+Qn-+
+-+p+-B-
-+-P-+-P
+-P-+N+-
n+PKPPB+
+-+R+-+R

[18. Kb2 Nxc3!]

18… Bb4!

a beautiful bit of opportunism

19. Bh3

[19. Qxe8 Bxc3+ 20. Ke3 Ng4#]

19… Bxc3+ 20. Ke3 Nb4 21. Qxe8

[21. Rc1 Qb5 22. Rhe1 Bxe1 23. Rxe1

[23. Nxe1 Qxe2+ 24. Kf4 Nh5#]

23… Nxc2+ 24. Kd2 Ne4+ 25. Kxc2 Rxf3 26. exf3 Qd3+ 27. Kc1
Qc3+ 28. Kb1

[28. Kd1 Nxf2#]

28… Bd3+ 29. Ka2 Qa5+ 30. Kb2

[30. Kb3 is better but only delays the inevitable 30… Bc4+
31. Kb2 Qb4+ 32. Kc1 Qa3+ 33. Kd1 Bb3+ 34. Ke2 Qa2+ 35. Kd3 Qc2+
36. Ke3 Qd2#]

30… Qb4+ 31. Ka2 Nc3+ 32. Ka1 Qa3#]

21… Ng4+ 22. Bxg4 Nxc2# 1-0

 


Langeweg,K – Perez Garcia,H [A80] Wijk-B, 1986

1. d4 f5 2. Nf3 Nf6 3. g3 g6 4. Bg2 Bg7 5. O-O O-O 6. b3
c5 7. e3 cxd4 8. exd4 d5 9. Ne5 Nc6 10. Re1 Ne4 11. f3 Nxe5 12.
fxe4 Nf3+ 0-1

 


Sparreboom,W – Bellin,R [A80] Guernsey op, 1988

1. d4 f5 2. Nf3 e6 3. Ne5 d6 4. Nd3 Nc6 5. e3 Nf6 6. Nd2
e5 7. Nb3 Be7 8. d5 Nxd5 9. Nxe5 dxe5 0-1

 


Barczyczyn – Vasiukov,E [A80] Bled op, 1989

1. d4 f5 2. Nc3 d5 3. Nf3 Nf6 4. Bf4 c6

The London System vs. the Dutch

5. h3 e6 6. e3 Be7 7. Be2 O-O 8. Ne5 Nbd7 9. g4 Nxe5 10.
dxe5 Ne4 11. Nxe4 fxe4 12. Qd2 Bh4 13. O-O-O Bxf2 14. g5 Qb6 15.
Bf1 Rxf4 16. exf4 Be3

oops

17. Bg2 Bd7 18. Rhe1 Bxd2+ 19. Rxd2 Rf8

-+-+-rk+
pp+b+-pp
-qp+p+-+
+-+pP-P-
-+-+pP-+
+-+-+-+P
PPPR-+B+
+-K-R-+-

20. Bxe4 Rxf4 21. Bd3 0-1

 


Ligterink,G (2470) – Van Heste,J (2290) [A80] NLD-ch,
1987

1. d4 f5 2. Nc3 Nf6 3. Bg5 d5 4. Bxf6 exf6 5. e3 c6 6.
Bd3 Bd6 7. Qf3 g6 8. h3 Qe7 9. g4 f4 10. O-O-O fxe3 11. Re1 O-O 12.
Rxe3 Qc7 13. Nge2 f5 14. gxf5 Bxf5 15. Bxf5 Rxf5 16. Re8+ Kf7 17.
Qe3 Be7 18. Rh8 Kg7 19. Re8 Bg5

rn-+R+-+
ppq-+-kp
-+p+-+p+
+-+p+rb-
-+-P-+-+
+-N-Q-+P
PPP+NP-+
+-K-+-+R

20. f4 Rxf4 21. Kb1 Rf1+ 22. Rxf1 Bxe3 23. Rxe3 Na6 24.
Nf4 Kh6 25. Nd3 Qd6 26. Ne5 Rf8 27. Nf7+ Kg7 28. Ref3 Qe7 29. Ne5
Rxf3 30. Rxf3 Qh4 31. Ne2 Qe4 32. Rf7+ Kg8 33. Rf2 Nb4 34. Nc1 Qxd4
35. Re2 Qd1 36. a3 Na2 37. Kxa2 Qxc1 38. Nd3 Qg5 39. Nc5 Qh4 40. b3
b6 0-1

 


Maksimovic,S (2345) – Akhmilovskaya,E (2420) [A80] Sochi,
1987

1. d4 f5 2. Nc3 Nf6 3. Bg5 d5 4. Bxf6 exf6 5. e3 c6 6.
Bd3 g6 7. Qf3 Bb4 8. Nge2 Nd7 9. h3 Ne5

A characteristic tactic.

10. dxe5 fxe5 11. O-O-O e4 12. Bxe4 fxe4 13. Nxe4 Rf8
14. Qg3 Qe7 15. N4c3 Bd6 16. f4 Bd7 17. Rhe1 O-O-O 18. Nd4 b5 19.
Nf3 b4

-+kr-r-+
p-+bq-+p
-+pb-+p+
+-+p+-+-
-p-+-P-+
+-N-PNQP
PPP+-+P+
+-KRR-+-

20. Nb1 Rde8 21. Nbd2 Qf6 22. Qf2 Bc5 23. Nb3 Bb6 24.
Qd2 Re4 25. Ne5 Re8 26. Qd3 Rxe3 27. Qa6+ Kc7 28. Rxe3 Qxf4 29. Kb1
Qxe3 30. Nxd7 Kxd7 31. Qb7+ Kd6 32. Qxh7 Qe4 33. g4 Re7 34. Qg8 Kc7
35. Qf8 Kb7 36. h4 a5 37. a4 bxa3 38. bxa3 a4 39. Nd2 Qe2 40. Rf1
Bc5 0-1

 


Cazzaniga,W – Speck,H [A80] Mendrisio op, 1988

1. d4 f5 2. g4 d5 3. Bg5 Nf6 4. h3 c6 5. Bxf6 exf6 6. e3
Qb6 7. b3 Bd6 8. Bd3 f4 9. exf4 Bxf4 10. Ne2 Qc7 11. Nxf4 Qxf4 12.
Qd2 Qf3 13. Qe2+ Qxe2+ 14. Kxe2 b6 15. Nd2 Kf7 16. f4 Ba6 17. c4
Nd7 18. a4 c5 19. Bf5 Rhd8

r+-r-+-+
p-+n+kpp
bp-+-p-+
+-pp+B+-
P+PP-PP+
+P+-+-+P
-+-NK+-+
R-+-+-+R

20. Bxh7 cxd4 21. Kf2 dxc4 22. Be4 Rac8 23. Bd5+ Kf8 24.
bxc4 Nc5 25. g5 Re8 26. gxf6 Nd3+ 27. Kg3 Re3+ 28. Kh4 Nxf4 29.
fxg7+ Kxg7 30. Rhg1+ Kh6 31. Bf3 Rf8 32. Rg4 Bc8 33. Kg3 Bxg4 34.
hxg4 Rd3 35. Rh1+ Kg7 36. Rh2 Ng6 37. Re2 Rf7 0-1

 

 

B. English
opening

This subtle system is out to stop you playing …d5, and then
taking over the centre or Queen’s-side later.

 

B1 Playing solidly against
1. c4

The …e6 system is a nice counter to the English; …c6 is OK
as a system as long as White does not transpose into something
unfamiliar to you.

1. c4

rnbqkbnr
pppppppp
-+-+-+-+
+-+-+-+-
-+P+-+-+
+-+-+-+-
PP-PPPPP
RNBQKBNR

1… e6

[1… c6

Now

(a) 2. Nf3 is OK

2… d5 3. b3 Nf6 4. Bb2 Bg4

[or 4… Bf5]

BUT

(b) 2. e4 d5 3. exd5 cxd5 4. d4 Nf6 5. Nc3 e6 6. Nf3 Bb4 is
a Caro-Kann or Nimzo-Indian line which is OK for Black but is
outside the scope of the repertoire I recommend]

2. Nf3 d5 3. b3 c6 4. g3 Nf6

An alternative system is:


Kurajica [A13] Agincourt Defence (French-English),
1995

1. c4 e6 2. Nf3 d5 3. g3 c6

offering to transpose into standard QP lines

4. b3

rnbqkbnr
pp+-+ppp
-+p+p+-+
+-+p+-+-
-+P+-+-+
+P+-+NP-
P+-PPP-P
RNBQKB+R

insisting on independent lines

[4. d4]

[4. Bg2 dxc4 5. Qc2 b5 6. a4 Bb7 -/+ Carls-Nimzovitch
1925]

[4. Qc2 Nf6 5. Bg2 a5 6. O-O Na6 7. a3 Be7 8. d4

[8. b3]

8… O-O 9. Nbd2 b6 Naranja-Larsen 1973]

4… b5

Black intends to bite the c-pawn until it screams in
pain
” Benjamin/Schiller

5. Bg2 Ba6

rn-qkbnr
p-+-+ppp
b+p+p+-+
+p+p+-+-
-+P+-+-+
+P+-+NP-
P+-PPPBP
RNBQK-+R

6. cxd5

[6. d3 Qb6 != Kurajica]

6… cxd5 7. O-O Nf6 8. Bb2 Be7 9. d3 O-O

rn-q-rk+
p-+-bppp
b+-+pn-+
+p+p+-+-
-+-+-+-+
+P+P+NP-
PB-+PPBP
RN+Q+RK-

10. e4

White could also try:

[10. Nbd2 Nc6 11. a3

[11. Rc1 Qb6 =+ Masic-Kurajica 1972]

11… b4 12. axb4 Nxb4 13. Ne5 Qb6 = Romanishin-Kurajica
1977]

[10. Ne5!? is a suggestion of Watson]

10… dxe4 11. dxe4 b4 =+ Hartoch-Kurajica 1974 =

 

B2 Playing actively against
1. c4

Your Dutch-style system is a fine counter to the English. The
first time I ever tried it I beat a 140-grade player in about 30
moves.

Theory of the
Anglo-Dutch

1. c4 e5 2. Nc3

This is the Sicilian Reversed line of the English Opening,
sometimes called the King’s English. Black can play two lines with
a Dutch feel, playing on the second move either 2…d6 or 2…Nc6.
The first risks being met by 3. d4 (if that is a risk), the second
may not be quite the right square for the Knight. If you play the
Closed Sicilian as White, this must be the best choice for you.

Example lines go:

After 2… d6:

(a) 3. d4 as in Hubner-Kasparov m1 1979

(b) 3. Nf3 f5

[or 3… Bg4 idea 4. g3 Bxf3 5. exf3 Nc6]

4. g3 Nf6 5. Bg2 Nc6 6. O-O Be7

[or 6… g6]

(c) 3. g3 f5

[or 3… Be6 4. Bg2 c6]

After 2…Nc6:

3. Nf3 f5

r+bqkbnr
pppp+-pp
-+n+-+-+
+-+-pp+-
-+P+-+-+
+-N-+N+-
PP-PPPPP
R-BQKB+R

4. d4 e4

r+bqkbnr
pppp+-pp
-+n+-+-+
+-+-+p+-
-+PPp+-+
+-N-+N+-
PP-+PPPP
R-BQKB+R

Now White has a number of moves:

(a) 5. Bg5

e.g. 5… Be7 6. Bxe7 Ngxe7 7. Nd2 Nxd4 8. Ndxe4 Nec6 9. Nd2
O-O 10. g3 d6 11. Bg2 f4 12. O-O fxg3 13. hxg3 Bg4

r+-q-rk+
ppp-+-pp
-+np-+-+
+-+-+-+-
-+Pn-+b+
+-N-+-P-
PP-NPPB+
R-+Q+RK-

 

(b) 5. Ng5 h6

[or 5… Be7 6. Nh3 ]

[or 5… Nf6 6. e3 and now

6… h6

[6…g6]

7. Nh3 g5

r+bqkb-r
pppp+-+-
-+n+-n-p
+-+-+pp-
-+PPp+-+
+-N-P-+N
PP-+-PPP
R-BQKB+R

after 5…h6 White can retreat with

6. Nh3

[6…g5!?]]

or spuddle with

6. Nd5

 

(c) 5. Nd2

as in Miles-Chaves

 

Instead of the immediate 3…f5 Black can play more slowly
e.g.

3… g6 4. Bg2 Bg7 5. e3 d6 6. Nge2

and now Black has tried:

6…f5

6…h5

Play in these hypermodern openings is more flexible and less
forcing, so both sides have a lot of choice about their early move
orders. I’ve tried to give an example of each line cited in the
games below.

 

 

Example games in the
Anglo-Dutch

System with
2…d6



Hubner – Kasparov (1, Hamburg) [A21] 1985

1. c4 e5 2. Nc3 d6 3. d4

Most folk used to think this was good for White… until this
game!

3…exd4 4. Qxd4 Nf6 5. g3 Nc6 6. Qd2 Be6 7. Nd5
Ne5

r+-qkb-r
ppp-+ppp
-+-pbn-+
+-+Nn-+-
-+P+-+-+
+-+-+-P-
PP-QPP-P
R-B-KBNR

Creating trouble on c4

8. b3 Ne4 9. Qe3 Nc5 10. Bb2 c6 11. Nf4 Ng4

r+-qkb-r
pp+-+ppp
-+ppb+-+
+-n-+-+-
-+P+-Nn+
+P+-Q-P-
PB-+PP-P
R-+-KBNR

The pesky Knights keep hopping around, not letting Black
settle.

12. Qd4 Ne4

Very alert

13. Bh3

[13. Nxe6 fxe6 14. Qxe4 Qa5+ 15. Kd1 Nxf2+]

13… Qa5+ 14. Kf1 Ngxf2 15. Bxe6 fxe6 16. Nxe6 Kd7 17.
Nh3 Nxh3 18. Qxe4

r+-+-b-r
pp+k+-pp
-+ppN+-+
q-+-+-+-
-+P+Q+-+
+P+-+-Pn
PB-+P+-P
R-+-+K+R

Black’s initiative persists.

18… Re8 19. Nc5+ Qxc5 20. Qg4+ Kc7 21.
Qxh3

-+-+rb-r
ppk-+-pp
-+pp-+-+
+-q-+-+-
-+P+-+-+
+P+-+-PQ
PB-+P+-P
R-+-+K+R

21… Be7 22. Bxg7 Rhf8+ 23. Bxf8 Rxf8+ 24. Ke1 Qf2+ 25.
Kd1 Qd4+ 26. Kc2 Qe4+ 27. Kd2 Bg5+ 28. Kc3 Qe5+

-+-+-r-+
ppk-+-+p
-+pp-+-+
+-+-q-b-
-+P+-+-+
+PK-+-PQ
P+-+P+-P
R-+-+-+R

0-1

 

Gonzalez-Rossolimo
1952.

1. c4 e5 2. Nc3 d6 3. g3 f5 4. Bg2 Nf6 5. e3 Be7 6. Nge2
c6 7. d4 O-O 8. b3 Nbd7 9. O-O h5 10. h4 Ng4 11. f3 Nh6 12. Ba3 Qe8
13. dxe5 dxe5 14. Bxe7 Qxe7 15. Qd2 Nc5

r+b+-rk+
pp+-q-p-
-+p+-+-n
+-n-pp+p
-+P+-+-P
+PN-PPP-
P+-QN+B+
R-+-+RK-

Black has more space.]

 

 

Korchnoi-German 1962.

1. c4 e5 2. Nc3 d6 3. g3 f5 4. Bg2 Nf6 5. b4 c6 6. b5 c5
!

Now White can’t open a file on the Q-side.

7. Bb2 Nbd7 8. d3 g6 9. a4 a5 10. bxa6 Rxa6 11. Nf3 Bg7
12. Nd2 O-O 13. Nb5 Rf7 14. Bc3 Nf8 15. e3 Ne6 16. O-O g5 17. Qe2
Re7 18. Rfe1 g4 19. f4 gxf3 20. Nxf3 Nf8 21. Nd2 Ng6 22. Nb3 Bh6
23. a5 Ng4 24. Bd5+ Kh8 25. Qd2 Rg7 26. Kh1

-+bq-+-k
+p+-+-rp

r+-p-+nb
PNpBpp+-
-+P+-+n+
+NBPP-P-
-+-Q-+-P
R-+-R-+K

Black has his open lines and could create more with

26… f4 27. exf4 Nxf4

 

 

Zlotnikov-Minasian 1993

1. c4 e5 2. Nc3 d6 3. g3 f5 4. Bg2 Nf6 5. d3 Be7 6. Nf3
O-O 7. O-O Kh8 8. b4

[After 8. Bd2 the ever-inventive Speelman did once try
…Na6 but 8…Qe8 is still Black’s best]

8… Qe8 9. Bb2 Qh5 10. e3 Nc6 11. a3 Bd7 12. Nd2
Qh6

r+-+-r-k
pppbb-pp
-+np-n-q
+-+-pp+-
-PP+-+-+
P-NPP-P-
-B-N-PBP
R-+Q+RK-

Black is well-placed to build up on the K-side.

…0-1

 

 

Hallerod-Hearst 1960

1. c4 e5 2. Nc3 d6 3. g3 f5 4. Bg2 Nf6 5. d3
Be7

5… g6 is a Closed Sicilian position: see below

6. Nf3 O-O 7. O-O Qe8

8. c5 c6 9. cxd6 Bxd6 10. b4 Kh8 11. Rb1 Nd5 12. Qb3
Be6

rn-+qr-k
pp+-+-pp
-+pbb+-+
+-+npp+-
-P-+-+-+
+QNP+NP-
P+-+PPBP
+RB-+RK-

= 13. Ng5 Nxc3 14. Qxc3 Bxa2 15. Ra1 Bg8 16. Bb2 Qe7 17.
Nf3 Nd7 18. Ba3 a6 19. Nd2 Nb6 20. Rfb1 Nd5 21. Qb2 Nc7 22. Nc4 Nb5
23. Rc1 Bxc4 24. Rxc4 a5

r+-+-r-k
+p+-q-pp
-+pb-+-+
pn+-pp+-
-PR+-+-+
B-+P+-P-
-Q-+PPBP
R-+-+-K-

0-1 : a Queen’s-side decision!

 

System with
2…Nc6

 

Miles-Chaves 1977

1. c4 e5 2. Nc3 Nc6 3. Nf3 f5 4. d4 e4 5. Nd2 Nf6 6. e3
g6 7. Be2 Bg7 8. Rb1 a5 9. a3 O-O 10. b4 axb4 11. axb4 Ne7 12. Qb3
d6 13. b5 Kh8 14. Ba3 f4 15. Ncxe4 fxe3 16. fxe3 Nxe4 17. Nxe4 Bf5
18. Bd3

r+-q-r-k
+pp-n-bp
-+-p-+p+
+P+-+b+-
-+PPN+-+
BQ+BP-+-
-+-+-+PP
+R+-K-+R

18… Nd5 19. O-O

[19. cxd5 Bxe4 20. Bxe4 Qh4+ 21. Kd1 Qxe4 22. Rb2]

19… Nxe3 20. Rf3 Qh4 21. g3 Qg4 22. Rxe3 Rxa3 23. Qxa3
Qh3 24. Kh1 Bxe4+ 0-1

White resigned here but 25. Rxe4 Rf2 26. Re8+ Bf8 27. Rxf8+
Rxf8 28. Qa2 looked worth trying first!

 

Bruno-Kurajica 1985

1. c4 e5 2. Nc3 Nc6 3. Nf3 f5 4. d3 Nf6 5. Bg2 Bb4 6.
Bd2 O-O 7. Nf3 d6 8. a3 Bxc3 9. Bxc3 Qe8 10. O-O Qh5 11.
Qd2

r+b+-rk+
ppp-+-pp
-+np-n-+
+-+-pp+q
-+P+-+-+
P-BP+NP-
-P-QPPBP
R-+-+RK-

11… f4 12. gxf4 h6 13. fxe5 dxe5 14. d4 Bh3 15. dxe5
Rad8 16. Qf4

[16. Qc2 Bxg2 17. Kxg2 Ng4 18. Rfd1 Rxf3 19. exf3

[19. Rxd8+ Nxd8 20. Kxf3 Qh3+ 21. Ke4 Nxf2+ 22. Kd5 Qe6+ 23.
Kd4 Nc6+ 24. Ke3]

19… Qxh2+ 20. Kf1 Ne3+]

16… Bxg2 17. Kxg2 Nd5 18. Qc1 Nf4+ 0-1

 

 

Darga-Herter 1968

1. c4 e5 2. Nc3 Nc6 3. Nf3 f5 4. d4 e4 5.
Ng5

Black now plays more quietly:

5…Be7 6. Nh3 Bf6 7. e3 d6 8. Nf4 Nge7 9. g4 Ng6 10.
Nfd5 Bh4 11. Bg2 O-O 12. O-O Nce7 13. gxf5 Bxf5 14. Nf4 Nxf4 15.
exf4 d5 16. cxd5 Nxd5 17. Nxe4 Bxe4 18. Bxe4 Nxf4 19. Qg4 Qxd4 20.
Bf3

r+-+-rk+
ppp-+-pp
-+-+-+-+
+-+-+-+-
-+-q-nQb
+-+-+B+-
PP-+-P-P
R-B-+RK-

20… h5 0-1

21. Qxh4 Ne2+]

 

 

Seirawan-Browne 1979

1. c4 e5 2. Nc3 Nc6 3. Nf3 f5 4. d4 e4 5. Ng5 h6 6. Nh3
g5

r+bqkbnr
pppp+-+-
-+n+-+-p
+-+-+pp-
-+PPp+-+
+-N-+-+N
PP-+PPPP
R-BQKB+R

This is a noisier line!

7. f3 exf3 8. exf3 Bg7 9. d5 Qe7+ 10. Kd2 Nd4 11. Bd3
Kd8 12. Ng1 b5 13. Nge2 bxc4 14. Bxc4 Qc5 15. Kd3 Rb8

-rbk-+nr
p-pp+-b-
-+-+-+-p
+-qP+pp-
-+Bn-+-+
+-NK+P+-
PP-+N+PP
R-BQ+-+R

16. Be3 ?

16… Qxc4+ 17. Kxc4 Ba6+ 18. Nb5 Nxb5 0-1

[19. Qa4 Na3+ 20. Kc5 d6+ 21. Kc6 Ne7#]

[19. Nd4 Nxd4+ 20. Kc3 Ne2+ 21. Kd2 Rxb2+ 22. Ke1 Bc3+ 23.
Kf1

[23. Bd2 Nf4 24. Rg1 Nd3+ 25. Ke2 Rxd2+ 26. Qxd2 Bxd2 27.
Kxd2]

23… Nf4+ 24. Kg1 Rxg2#]

 

Reversed Closed
Sicilian

Grunberg-Kasparov
simul.1987

1. c4 e5 2. Nc3 d6 3. g3 f5 4. Bg2 Nf6 5.
d3

We have seen all this above. Now

5… g6

is a Closed Sicilian position

6. e4 Bg7 7. Nge2 O-O 8. O-O c6 9. h3 Be6 10. exf5 gxf5
11. Be3 Qe7 12. Qd2 Kh8 13. Rae1 Nbd7 14. f4 Rg8

r+-+-+rk
pp+nq-bp
-+ppbn-+
+-+-pp+-
-+P+-P-+
+-NPB-PP
PP-QN+B+
+-+-RRK-

Black’s position is fine.

15. Kh2 Qf7 16. Bf3 Rae8 17. b4 e4 18. dxe4 fxe4 19.
Bxe4 Bxh3 20. Kxh3 Nxe4 21. Qd3 Bxc3 22. Qxc3+ Nxc3
0-1

 

 


Hodgson-Short 1986

1. c4 e5 2. Nc3 Nc6 3. g3 g6 4. Bg2 Bg7 5. e3 d6 6.
Nge2

6… h5 7. h3 h4 8. g4 f5 9. gxf5 Bxf5 10. d4 exd4 11.
Nxd4 Nxd4 12. exd4 c6 13. Be3 Nf6 14. Qd2 Qd7

r+-+k+-r
pp+q+-b-
-+pp-np+
+-+-+b+-
-+PP-+-p
+-N-B-+P
PP-Q-PB+
R-+-K-+R

15. O-O-O Kf7 16. Bg5 b5 17. cxb5 cxb5 18. Bxa8 Rxa8 19.
Qe2 Rc8 20. a3 a5 21. f3 b4 22. Kd2 bxc3+ 23. bxc3 Qb7

-+r+-+-+
+q+-+kb-
-+-p-np+
p-+-+bB-
-+-P-+-p
P-P-+P+P
-+-KQ+-+
+-+R+-+R

0-1

 

 

Pierson-Calverley 1983

1. c4 e5 2. Nc3 Nc6 3. g3 g6 4. Bg2 Bg7 5. e3 d6 6.
Nge2

6… h5 7. d4 e4 8. a3 Nf6 9. O-O O-O 10. b4 Ne7 11. Bb2
g5 12. d5 Ng6 13. Na4 Qe7 14. Rc1 f4 15. Bxf6 Rxf6 16. Nd4 Ne5 17.
Bxe4 Bh3 18. Re1 fxg3 19. fxg3 Raf8 20. Qc2 Qf7 21. Qb1 Rf2 22. Ne6
Rg2+ 0-1

23. Kh1

[23. Bxg2 Qf2+ 24. Kh1 Qxg2#]

23… Qf2 24. Bxh7+]

 

 

|Psakhis
-Kasparov, 199|

One of the best example games I have on file for the Reversed
Closed Sicilian is this one

1. c4 g6 2. Nc3 Bg7 3. g3 Nc6 4. Bg2 d6 5. Nf3 e5 6. d3
f5 7. O-O Nf6

r+bqk+-r
ppp-+-bp
-+np-np+
+-+-pp+-
-+P+-+-+
+-NP+NP-
PP-+PPBP
R-BQ+RK-

8. Rb1 h6 9. b4 O-O 10. b5 Ne7 11. a4 Be6 12. Ba3
Rc8

-+rq-rk+
ppp-n-b-
-+-pbnpp
+P+-pp+-
P+P+-+-+
B-NP+NP-
-+-+PPBP
+R+Q+RK-

Black does not rush but secures the Q-side.

13. Nd2 b6 14. e3 g5 15. d4 exd4 16. exd4
f4

-+rq-rk+
p-p-n-b-
-p-pbn-p
+P+-+-p-
P+PP-p-+
B-N-+-P-
-+-N-PBP
+R+Q+RK-

17. Re1 Bg4 18. Nf3 Qd7 19. c5 Rce8 20. Rc1 Nf5 21. Qd3
Kh8 22. cxd6 cxd6 23. Rxe8 Qxe8 24. Rf1 Qh5

-+-+-r-k
p-+-+-b-
-p-p-n-p
+P+-+npq
P+-P-pb+
B-NQ+NP-
-+-+-PBP
+-+-+RK-

The Black pieces hover like vultures

25. Ne4 Nxe4 26. Qxe4 Bh3 27. Ne5 Bxg2 28. Kxg2 g4 29.
Bxd6 Rf6 30. Bb8 Qh3+

-B-+-+-k
p-+-+-b-
-p-+-r-p
+P+-Nn+-
P+-PQpp+
+-+-+-Pq
-+-+-PKP
+-+-+R+-

0-1

 

C Reti Opening and King’s Indian
Attack

rnbqkbnr
pppppppp
-+-+-+-+
+-+-+-+-
-+-+-+-+
+-+-+N+-
PPPPPPPP
RNBQKB+R

Again, White doesn’t want to rush into the centre without
preparation, and plays Nf3 first to stop you playing …e5.

 


C1 Playing solidly against 1. Nf3

David Norwood, who is a specialist in the King’s Indian Attack,
reckons that Black equalises easily in this line which:

“…offers excellent chances of equality. Black’s plan is
extremely logical – to limit the scope of the fianchetto bishop
with …d5 & …c6, then develops the B to g4 where it can
either exchange or retreat. I predict it will remain difficult for
KIA players to prove any advantage in this system.

1. Nf3 d5 2. g3 c6 3. Bg2 Bg4

rn-qkbnr
pp+-pppp
-+p+-+-+
+-+p+-+-
-+-+-+b+
+-+-+NP-
PPPPPPBP
RNBQK-+R

4. O-O

[4. d3 Nd7 5. O-O Ngf6 6. c4 dxc4 7. dxc4 e5

r+-qkb-r
pp+n+ppp
-+p+-n-+
+-+-p-+-
-+P+-+b+
+-+-+NP-
PP-+PPBP
RNBQ+RK-

8. Nc3 Be7 9. b3 O-O 10. Bb2 Re8 11. Qc2 Bf8 12. h3 Bh5 13.
Nh4 Nc5 14. Rad1 Qc7 15. g4 Bg6 16. Nxg6 hxg6 17. e3 a5

r+-+rbk+
+pq-+pp-
-+p+-np+
p-n-p-+-
-+P+-+P+
+PN-P-+P
PBQ+-PB+
+-+R+RK-

Todorcevic-Rodriguez, Salamanca 1990 …Drawn (47)]

4… Nd7 5. d3 Ngf6 6. Qe1

[6. Nbd2 e5 7. e4 Bd6 8. Re1 O-O 9. Nf1 Bh5 10. Ne3 Re8 11.
Nf5 Bf8 12. c3 dxe4 13. dxe4 Nc5

r+-qrbk+
pp+-+ppp
-+p+-n-+
+-n-pN+b
-+-+P+-+
+-P-+NP-
PP-+-PBP
R-BQR-K-

14. Qxd8 Raxd8 Fahrner-Luther, Graz 1991 …0-1]

6… e5

r+-qkb-r
pp+n+ppp
-+p+-n-+
+-+pp-+-
-+-+-+b+
+-+P+NP-
PPP+PPBP
RNB-QRK-

7. e4 dxe4 8. dxe4 Bc5 9. b4

[9. Nbd2 Qc7 10. Nc4 Be6 11. Qe2 b5 12. Ncd2

r+-+k+-r
p-qn+ppp
-+p+bn-+
+pb-p-+-
-+-+P+-+
+-+-+NP-
PPPNQPBP
R-B-+RK-

Dizdarevic-Huss, Swiss 1990 12… O-O = Norwood]

9… Bd6 10. Na3 Qe7 11. c3 b5 12. Nc2 a5 13. bxa5 O-O
14. c4 Be6 15. cxb5 cxb5 16. Nh4 Bc5 17. Nf5 Qd8 18. Qd2 Qxa5 19.
Qg5

r+-+-rk+
+-+n+ppp
-+-+bn-+
qpb-pNQ-
-+-+P+-+
+-+-+-P-
P+N+-PBP
R-B-+RK-

|Drawn: Vaganian-Dorfman, Moscow
199|

 

You may be interested in this excellent game, which features our
system with colours reversed.


Smyslov,V (2565) – Nunn,J (2565) [A48] (Tilburg 34/91),
1982

1. d4 Nf6 2. Nf3 g6 3. Bg5 Bg7 4. Nbd2 O-O

[4… c5 5. Bxf6 Bxf6 6. Ne4 Bxd4 7. Nxd4 cxd4 8. Qxd4 O-O
9. c4 Nc6 10. Qd2 d6 11. Nc3 += Smyslov-Ernst, London
1988]

5. e4 d6 6. c3 h6 7. Bh4

rnbq-rk+
ppp-ppb-
-+-p-npp
+-+-+-+-
-+-PP+-B
+-P-+N+-
PP-N-PPP
R-+QKB+R

Does driving the bishop back have any effect in this formation?
Yes – it does further weaken the kingside fortress.


7…c6 8.Bb5 Bd7 9. O-O a6 10. Bc4 e5 11. dxe5 dxe5 12.
Re1

Overprotection of e4 frees up the minor pieces for more useful
tasks.

12… Qe8

[12… b5 13. Bf1 followed by an eventual a2-a4 would put
strong pressure on the queenside.]

13. a4 Nh5 14. Nb3 g5 15. Bg3 Rd8 16. Nfd2

-+-rqrk+
+ppb+pb-
p+n+-+-p
+-+-p-pn
P+B+P+-+
+NP-+-B-
-P-N-PPP
R-+QR-K-

White’s pieces have been quckly transferred to the queenside.
Black’s pieces, especially the offside knight, cannot get there so
quickly.


|6… Nxg3
17. hxg3 Kh8 18. Qe2
Qe7 19. Nf1|

The exchange of the Black knight for the Bg3 has created new
opportunities on the kingside. Smyslov is the master of harmonic
play – his pieces are often ready to switch to new targets
quickly.

19… Qf6 20. Nc5 Bc8 21. Ne3 Ne7 22. a5
Qg6

Black has chosen to sue the Bc8 to defend the queenside, but the
heavy guns are all on the kingside, and White controls a bit more
of the center. But before foraging on the queenside, Smyslov
squashes the counterplay.

23. g4! b6?!

Black is paralyzed on the kingside, unable to transfer the
knight to f4 due to the placement of the queen at g6. But this
sacrifice of a queenside pawn leads to disaster. There is nothing
more rueful than a lost pawn formation. Black could resign without
remorse

24. Nf5! Nxf5

[24… bxc5 25. Nxe7 Qd6 26. Nxc8 Rxc8 27. Bxa6+/-
]

25. gxf5 Qc6 26. Nxa6 Bxa6 27. Bxa6 bxa5 28.
Rxa5

Now White has an extra pawn and better bishop. The rest is easy
for a player of Smyslov’s caliber.

28… Ra8 29. Rea1 Rfd8 30. Bc4 Rxa5 31. Rxa5 Kg8 32.
Ra6 Qd7 33. Bd5 Qe7 34. Qh5 Rd6 35. Rxd6 cxd6 36. b4
1-0

Resigns; a tale of two bishops…

 

C2 Playing actively against
1. Nf3

There is a slight problem here:

1. Nf3 f5

can be met by the awkward gambit

2. d3 Nf6 3. e4 fxe4 4. Ng5

So you may prefer to play into you line with

1. Nf3 d5 2. c4 c6 3. g3 e6.

The other way to play into the Dutch allows some
transpositions:

1. Nf3 e6

2. g3

[2. e4 d5 is a French Defence which is OK for
Black]

[2… c5 is a Sicilian: White can play the King’s Indian
Attack with 3. d3 or play it open with 3. d4 e.g. 3…cxd4 4. Nxd4
Nf6 5. Nc3 Nc6 6. a3 Be7 7. Be2 O-O 8. O-O d5 9. exd5
Nxd5]

[2. b3 Be7]

2… f5 3. Bg2 Nf6 4. O-O Be7

rnbqk+-r
ppppb-pp
-+-+pn-+
+-+-+p+-
-+-+-+-+
+-+-+NP-
PPPPPPBP
RNBQ+RK-

Both sides are quietly getting on with their own systems. The
trouble with meeting White’s flexible setup with the Dutch is that
Black may be denied the outpost on e4 and White can even try to
blow up the pawn structure by playing e2-e4.

5. d3

[5. b3 c5 6. Bb2 O-O 7. c4 Nc6 8. Nc3 e5 9. e3 d6 10. d4 e4
11. Ne1 Qe8 12. Nd5 Bd8 13. dxc5 dxc5

r+bbqrk+
pp+-+-pp
-+n+-n-+
+-pN+p+-
-+P+p+-+
+P+-P-P-
PB-+-PBP
R-+QNRK-

This is better for White]

5… O-O 6. Nbd2 d6 7. e4 fxe4 8. dxe4 e5 9. c3 Qe8 10.
Nh4 Nc6 11. Nc4 Qh5 12. Qxh5 Nxh5 13. Nf5 Bd8

r+bb-rk+
ppp-+-pp
-+np-+-+
+-+-pN+n
-+N+P+-+
+-P-+-P-
PP-+-PBP
R-B-+RK-

With about equal chances.

 

 

D Sokolsky opening
(Polish)

rnbqkbnr
pppppppp
-+-+-+-+
+-+-+-+-
-P-+-+-+
+-+-+-+-
P+PPPPPP
RNBQKBNR

This is an oddly effective line; White stops active play with
…c5 and prepares to bring the Bb2 onto the long diagonal.

 

D1 Playing solidly against
1. b4

I think the most solid system is

1. b4 e5 2. Bb2 Bxb4 3. Bxe5 Nf6

when I know of no way for White to secure the advantage.

White can try

1. b4 e5 2. a3

but this is fairly harmless:

2…d5 3. Bb2 f6

should be fine for Black

 

 

D2 Playing actively against
1. b4

Of course you can play

1. b4 f5

but the theory on this line is hardly explored.

White may play d3 at some point which may rob you of some of
your best ideas.

 

E Nimzo-Larsen
Opening

rnbqkbnr
pppppppp
-+-+-+-+
+-+-+-+-
-+-+-+-+
+P+-+-+-
P+PPPPPP
RNBQKBNR

This is a flexible line, aiming at first to post the Bc1 on b2,
pointing at the e5 point and beyond at the Black King’s-side.

The Bb2 needs watching but you should be OK in this opening.

 

E1 Playing solidly against
1. b3

1. b3 d5 2. Bb2 Nf6

is fine for Black

 

 

E2 Playing actively against
1. b3

Go for it…

1. b3 f5

…and Black should not be without play.

1. b3 f5 2. Bb2 Nf6 3. d3 d6 4. e4 e5 5. exf5 Bxf5 6. Ne2
Nc6 7. d4 Be7 8. Ng3 Bg6 9. dxe5 dxe5 10. Qxd8+ Rxd8 11. Bb5
O-O

-+-r-rk+
ppp-b-pp
-+n+-nb+
+B+-p-+-
-+-+-+-+
+P+-+-N-
PBP+-PPP
RN+-K-+R

Black has active play and won in 23 moves! —
KEENE]

 

 

F Various other
openings

This obviously can transpose to other openings, and it is
probably best to try to do just that.

 

F1. Benko’s Opening,
1.g3

rnbqkbnr
pppppppp
-+-+-+-+
+-+-+-+-
-+-+-+-+
+-+-+-P-
PPPPPP-P
RNBQKBNR

1…d5

and

1…f5

both look playable. White may well transpose into lines
considered above.

 


F2. Bird’s opening, 1. f4

rnbqkbnr
pppppppp
-+-+-+-+
+-+-+-+-
-+-+-P-+
+-+-+-+-
PPPPP+PP
RNBQKBNR

The obvious snag is, you can’t play the Dutch against this:

1. f4 f5 2. e4

is awkward.

But why not play the most awkward lines for White: the From
Gambit.

1. f4 e5

Now

2. fxe4 d6 3. exd6 Bxd6

gives you a development lead and free play for your pieces.
Instead:

2. e4

transposes into the King’s Gambit, which I think most Bird
players will do. See the booklet on Playing Black in e4
openings

 

F3. The Dunst, 1.
Nc3

rnbqkbnr
pppppppp
-+-+-+-+
+-+-+-+-
-+-+-+-+
+-N-+-+-
PPPPPPPP
R-BQKBNR

A while ago I wouldn’t have bothered with this odd-looking
opening, but it has become a bit of a secret weapon among those in
the know. What to play against it depends on what else you play;
it’s probably the best of the unusual lines.

1…f5 walks into 2. e4.

1…c5 offers a Sicilian, and after 1…d5 2. e4 you can with
2…d5 offer a Caro-Kann or with 2…e6, a French. Perhaps 2…dxe4
3. Nxe4 and …c6 may appeal.

1…d5 2. e4 d4 3. Nce2

is a well-known sequence, after which

3…e5 4. Ng3 Be6

Else 5. Bc4 will follow. This looks like Black’s best idea to
me.

Example game in the
Dunst:

Ekebjaerg,Ove – Strand,Torger cr
Nielsen-mem, 1987

1. Nc3 d5 2. e4 d4 3. Nce2 e5 4. Ng3 Be6 5. Nf3 Nd7 6.
c3 c5 7. cxd4 cxd4 8. Be2 Bd6 9. O-O h5 10. d3

r+-qk+nr
pp+n+pp-
-+-bb+-+
+-+-p-+p
-+-pP+-+
+-+P+NN-
PP-+BPPP
R-BQ+RK-

This doesn’t look to me very promising for White, although White
did win.

 

 

 

F4. Grob’s opening, 1.
g4

rnbqkbnr
pppppppp
-+-+-+-+
+-+-+-+-
-+-+-+P+
+-+-+-+-
PPPPPP-P
RNBQKBNR

The idea of this odd-looking move is…

1. g4 d5 2. Bg2 Bxg4 3. c4!

…when the pin on the b7 point may be embarrassing.

The two best-known players of this line, Henri Grob and Claude
Bloodgood, agree that one of the most awkward lines for White
is

1. g4 e5

with the idea 2. Bg2 h5! when the pawn cannot advance to
g5.

Grob himself played this against 1. g4. So Bloodgood reckons
White’s best try is

2. d3

To be honest, many Grob players have no idea that this is a
known line, all they know about is the …Bxg4 variation. So they
may be out-tricked in their own opening!

 

Some sample lines in this rare opening:

Ott – Grob, Corr

1. g4 e5 2. Bg2 h5 3. gxh5 Rxh5 4. e3 Rh8 5. c4 f5 6.
Qc2 g6 7. Nc3 c6 8. Nge2 Nf6 9. d4 d6 =

 

Hug – Grob, Corr

1. g4 e5 2. Bg2 h5 3. gxh5 Rxh5 4. e3 Nf6 5. c4 c6 6.
Nc3 d5 7. cxd5 Rg5 8. Bf3 cxd5 9. Qa4+ Nc6 10. d3 Rg6 11. e4 d4 12.
Nd5 Be6 13. Qb5 Qd7 14. Bd2 Bxd5 15. exd5 Nb4 16. Qxd7+ Kxd7 17.
Bxb4 Bxb4+ 18. Kd1 Kd6 =
[or 18… Bd6]

 

Grob – Aebi (corr) &
Analysis

1. g4 e5 2. d3! d5 3. Bg2

[3. g5 Be7 4. h4 h6 =+]

3… Bxg4 4. c4

Now this gambit is not as good for White as in the lines without
d3 and …e5.

4…Bb4+ 5. Nd2 c6 6. cxd5 Ne7

[6… cxd5 7. Qb3 Nc6 8. Bxd5 Qe7 9. h3 Bh5 dr]

7. dxc6 Nbxc6 8. a3 =

 

Grob – Stingelin+ Analysis,
1993

1. g4 e5 2. d3! d5 3. Bg2 c6 4. h3 Ne7 5. Nf3 Ng6 6. Nc3
f5 =/+

[6… h6 was the game: 7. e4 !]

If this sly system doesn’t appeal you might fancy the emerging
main line approach:

Basman – Keene, Benedictine,
1981

1. g4 d5 2. h3 e5 3. Bg2 c6 4. d4 e4 5. c4 Bd6 6. Nc3
Ne7 7. g5

Basman has also tried:

[7. Qb3 O-O 8. Bg5 f6 9. cxd5 cxd5 10. Nxd5 Be6 11. Nxe7+
Qxe7 12. d5 Bf7 13. Be3 Na6

r+-+-rk+
pp+-qbpp
n+-b-p-+
+-+P+-+-
-+-+p+P+
+Q+-B-+P
PP-+PPB+
R-+-K-NR

-+ Keene]

[7. Bg5 f6 8. Bd2 unclear, (Basman – Kudrin, Benedictine,
1981)]

7… Be6 8. h4 Nf5 9. Bh3 O-O 10. cxd5 cxd5 11.
Nxd5

rn-q-rk+
pp+-+ppp
-+-bb+-+
+-+N+nP-
-+-Pp+-P
+-+-+-+B
PP-+PP-+
R-BQK-NR

11… Ng3 12. Nf6+ gxf6 13. fxg3 Bxg3+ 14. Kf1 Nc6 15.
Be3 Nb4 16. Kg2 Nd5 17. Kxg3 Nxe3 18. Qd2 Qd6+ 19. Kf2 Qf4+ 20. Nf3
exf3

r+-+-rk+
pp+-+p+p
-+-+bp-+
+-+-+-P-
-+-P-q-P
+-+-np+B
PP-QPK-+
R-+-+-+R

0-1

21. Qxe3 Qxh4+ 22. Kxf3 Bd5+

 

 

Also ran: 1. e3, 1. a3, 1.
a4, 1. h4, 1. f3

I can’t imagine these giving you any trouble: You can certainly
play your usual Colle or Dutch, and various 1. e4 lines can be
played with colours reversed.

1. e3 Van T’Kruy’s Opening hopes for a reversed French. 1…d5
is OK for Black.

1. a3 has some idea of playing b2-b4; just 1…d5 and 2…c6 in
reply is a good start for playing fast or slow. You can also blow
up the Queen’s-side with …a5 if White does play b4.

1. a4 might tempt you to 1…e5 if that’s what you usually
play.

1. h4 e5 must be all right too.

1. f3 is a bit of a joker; 1…d5 or 1…e5 should give you an
easy game.

Index of Games

Pribyl – Penrose (Nice) 1974 [*]

Marshall,F – Tarrasch,S, Nuremberg, 1895 [*]

Ottaviani,W – Liying,P (Novi-14) [D52] Cambridge Springs: loose
Bg5, 1990 [*]

Buthali,D – Figueroa,C (Novi-14) [D52] cambridge springs: loose
Bg5, 1990 [*]

Borovikov,V – Shabanov,Y (Podolsk) [D52] Cambridge Springs:
Black grabs material, 1990 [*]

Duemer,K – Meyer,Frh (2.BLSW) [D52] cambridge springs: Q-side
attack, 1989
[*]

El Mezwaghi,H – Mubarak,A (Novi-12) [D52] cambridge springs:
Queen’s-side majority in EG, 1990 [*]

Michaelsen,N – Hort,V (FRG-ch) [D52] cambridge springs: break on
Q-side, 1989 [*]

Perez,A – Perera,M [D52] cambridge springs: chances with NN,
1989 [*]

Lengyel-Karpov, Moscow 1972 [*]

Tukmakov-Korchnoi Leningrad 1973 [*]

Arkell-Teichmann 1985 [*]

Burn – Teichmann (Hastings) [D46] 1895 [*]

Miralles,G – Granda Zuniga,J [D45] 1989 [*]

Rohde,M – Shabalov,A (8) [*]

[D45] Philadelphia, 1990
[*]

Hegeler,F – Wockenfuss,K [D46] 2BLN, 1989 [*]

Kraai,J – Donaldson,J (2) [D46] American, 1989 [*]

Karpov – Tal [D46] Moscow, 1973 [*]

Plachetka,T – Drtina,M (5) [D46] Trnava, 1989 [*]

Curtis-Teichmann 1985 [*]

Serebrjanik-Maximenko 1991 [*]

Kasparov – Short (10) [D35] WCh, 1994 [*]

Steinbacher,M – van der Sterren,P (5) [D36] Ostend, 1989 [*]

??-?? [D34] [*]

Davidovic,A – Smagin,S (4) [D36] It-open, Dortmund, 1989
[*]

Von Gleich,A – Ekstroem,R (1) [D36] Lugano, 1989 [*]

Yermolinsky – Shipman,W (3) [D36] MCC, 1989 [*]

Deze,A – Tadic,K (1) [D35] Novi, 1989 [*]

Paduch,A – Ghafour,Y (8) [D35] A.Kotov memorial, Singapore,
1990 [*]

Tisdall,J – Inkiov,V (5) [D36] Gausdal, 1990 [*]

Rabinovitch – Botvinnik (Ussr Ch’p, 1927) [*]

Steiner – Botvinnik, Groningen, 1946 [*]

Flohr – Botvinnik (10) Match, 1933 [*]

Yudovitch – Botvinnik, 1934 [*]

Martin – Troger [A94] 1995
[*]

Karayannis-Bellin 1993 [*]

Menadue – Pert 1995 [*]

Langeweg,K – Perez Garcia,H [A80] Wijk-B, 1986 [*]

Sparreboom,W – Bellin,R [A80] Guernsey op, 1988 [*]

Barczyczyn – Vasiukov,E [A80] Bled op, 1989 [*]

Ligterink,G (2470) – Van Heste,J (2290) [A80] NLD-ch, 1987 [*]

Maksimovic,S (2345) – Akhmilovskaya,E (2420) [A80] Sochi, 1987 [*]

Cazzaniga,W – Speck,H [A80] Mendrisio op, 1988 [*]

Kurajica [A13] Agincourt Defence (French-English), 1995 [*]

Hubner – Kasparov (1, Hamburg) [A21] 1985
[*]

Gonzalez-Rossolimo 1952. [*]

Korchnoi-German 1962. [*]

Zlotnikov-Minasian 1993 [*]

Hallerod-Hearst 1960 [*]

Miles-Chaves 1977 [*]

Bruno-Kurajica 1985 [*]

Darga-Herter 1968 [*]

Seirawan-Browne 1979 [*]

Grunberg-Kasparov simul.1987 [*]

Hodgson-Short 1986
[*]

Pierson-Calverley 1983 [*]

Psakhis – Kasparov, 1990 [*]

Smyslov,V (2565) – Nunn,J (2565) [A48] (Tilburg 34/91), 1982 [*]

Ekebjaerg,Ove – Strand,Torger cr Nielsen-mem, 1987 [*]

Ott – Grob, Corr [*]

Hug – Grob, Corr [*]

Grob – Aebi (corr) & Analysis [*]

Grob – Stingelin+ Analysis, 1993 [*]

Basman – Keene, Benedictine, 1981 [*]

Opening Workshop 2015

[A Q&A at a coaching session]

A bit of perspective

Your opening choices are determined by:

  1. Your style: are you a Steady Eddie or a Bonkers Billie?
  2. Your memory: can you commit the key traps and variations to memory?
  3. Your study time: can you find and absorb what you need to play this system well?
  4. Your aims: are you trying to get a playable position? are you trying to
    set your opponent problems, so they make a mistake? are you inviting
    your opponent to waltz with you blindfold on the edge of a cliff? are
    you trying to lure them into unfamiliar territory, or a trap?

Trouble with b6

“I’m having trouble getting …b6 to work against 1.e4”

1.e4 b6

“I’m not surprised!”

Any opening is only as good as the ideas you bring to it. I don’t think
I heard much from you about what your ideas were in playing …b6: what
sort of position do you hope to get to play?

The ideas behind some systems can be pretty straightforward – for
example, I think the Evans Gambit and the French Defence and the Colle
System can be picked up pretty quickly by club players, and the extra
ideas you need as your opponents get better at meeting your new opening
can be added fairly easily. The French Defence in particular often
leads to the same sort of pawn structure (white Pd4 Pe5 vs black Pd5
Pe6), so, even if you don’t recognise the exact variation, you can still
have a good idea about the best plans for both sides.

1…b6 is a rarity – you will struggle to find many books to read, or
games to follow. If you look it up in the books, you will find most of
the lines end in +=. The ideas behind the opening are hard to find or
understand: I think it can be best interpreted as a hypermodern defence,
letting White occupy the centre then hoping to get play later, either by
deciding on your own central setup once you have seen what White has
done, or using the centre as a target. I think it ends up as += because
that is hard to do! Also, you aren’t going to get the same structures
and ideas in each game, and you are going to lose games that you don’t
understand.

My advice: pick something else!

Philidor for Beginners

1.e4 e5 2.Nf3 d6

In some ways, the Philidor is a risky opening to try: there are dozens
of traps that Black can fall into in the first few moves.

*[ http://exeterchessclub.org.uk/content/lessons-philidors-defence ]

But if you learn the right order for your first few moves (especially
3…Nf6), you can usually get to a solid position from which you can
play the middlegame. Yes, White gets a space advantage, but it’s not a
huge one, and space advantages are not so easy to make use of. An extra
piece, or a doubled pawn, or a bare King’s-side, all tell you what to do
next. A space advantage just tells you that, whatever you want to do,
you will probably be able to do it more easily than your opponent.

Philidor inspiration:

The (Hyper)-Accelerated Dragon

Anyone who plays the main line Sicilian Dragon will have met the deadly Yugolav Attack.

White is going to castle long then push the h-pawn.

Maybe it’s not as deadly these days, as Black players have learned how
to fight back, but it’s the most important line in the Dragon and there
are whole books written about it.

If you like the Dragon setup, but are unwilling to take on the task of
learning how to defend against the Yugoslav, then you can try a cunning
move order to head White off.

The Accelerated Dragon goes

1.e4 c5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 g6

One of Black’s ideas is that …d7-d5 can be played in one move.

For example,

5.Nc3 Bg7 6.Be3 Nf6 7.Be2 0-0 8.Qd2? d5!

or

8.0-0 d5!

Now, if White tries to set up the Yugoslav Attack, it all goes wrong

5.Nc3 Bg7 6.Be3 Nf6 7.Qd2?! Ng4!

5.Nc3 Bg7 6.Be3 Nf6 7.f3?! 0-0! 8.Qd2 d5!

5.Nc3 Bg7 6.Be3 Nf6 7.Bc4! Qa5! 8.f3? Qb4! 9.Bb3 Nxe4!

an amazing move, but it works!

if 10.Nxc6, Qxc3!

and Black comes out ahead

After 7…Qa5, 8.0-0

must be tried, and then Black has successfully
avoided the Yugoslav. These positions are not ever so promising for
Black – perfectly solid, but perhaps the Qa5 is misplaced, vulnerable
to Nb3 Qc7 and a later Nd5

Black can try one other line to make use of the omission of …d6:

7…0-0

Uogele’s Variation.[

Now Black has the usual bunch of tricks waiting for Qd2 and f3

8.Qd2 Ng4!
or 8…Nxe4 9.Nxe4 d5!

8.f3 Qb6!?
(or 8…e6!?, maybe even 8…d5!?)

So White should play

8.Bb3!

Now Black has one last chance to keep White from setting up a
Yugoslav-style attack:

8…a5!? 9. f3!? d5!?

Black gambits the d-pawn to get active play.

White’s not worse here and may have chances of advantage, but there is
no chance of the standard Yugslav Attack. (I expect White’s best try on
move 9 is 9.0-0, when 9…d6 is OK for Black and 9…a4 is
“interesting”.)

So, Black’s extra pressure against d4 means that White cannot get into the
Yugoslav. You don’t get anything for free in chess, so Black’s missing
pressure against e4 means that White can omit Nc3 and play c4, the
dreaded Maroczy Bind, also a bit less dreaded these days.

The Hyper-accelerated Dragon is the move order with 2…g6.

This avoids problems with 3.Bb5 and also gives you some extra options
against the Maroczy Bind, for example,

1.e4 c5 2.Nf3 g6 3.d4 Bg7 4.c4 Qb6!?

Anti-Sicilians for the Dragon player

Charlie was suspicious about his White opponents who want to play around
with their own move order tricks, avoiding the main lines of the
Accelerated Dragon to play, e.g.

1.e4 c5 2.Nf3 g6 3.Nc3

or

1.e4 c5 2.Nf3 g6 3.c3

or even

1.e4 c5 2.c3

I think
1.e4 c5 2.Nf3 g6 3.Nc3
is not much of a problem: after 3…Bg7
or 3…Nc6, White doesn’t have any clever ways of delaying d4.

If you like to meet

1.e4 c5 2.c3

with

1.e4 c5 2.c3 Nf6

or

1.e4 c5 2.c3 d5 3.exd5 Qxd5 4.d4 e6

then White’s move order with

1.e4 c5 2.Nf3 g6 3.c3

means that you can’t play your preferred line.

The good news is that you can get a perfectly playable game after

1.e4 c5 2.Nf3 g6 3.c3 d5 4.exd5 Qxd5

or perhaps even better

1.e4 c5 2.Nf3 g6 3.c3 Bg7 4.d4 cxd4 5.cxd4 d5!

Now

6.e5 Bg4!
(intending e6, Nge7, and either Qb6 or f6,exf6,Qxf6) gives you an excellent game.

6.exd5

is OK:

6…Nf6 7.Nc3 Nxd5?! 8.Bc4 Nxc3 9.Qb3!

is awkward, but

8…Nb6

is fine, while

6.exd5 Nf6 7.Bb5+ Nbd7

should recover the d-pawn without too much pain, but it’s worth looking up the theory.

Trouble with b3

Ah, since El Presidente’s pursuit of 1.b3, we have all wondered what we should do against it.

I think after 1.b3,1…e5 is generally accepted as the most challenging move. (When Nimzowitsch himself used to play this system now known as the Nimzo-Larsen Attack, he used to start with 1.Nf3 Nf6 2.b3 to avoid …e5.)

After

1.b3 e5,

play can continue

2.Bb2 Nc6 3.e3 d5 4.Bb5 Bd6,

when White has two ways of nibbling the centre, 5.f4 and 5.c4 (with one
idea 5…Nf6 6.c5!?). I expect Black is doing OK in most of these
lines, but I think we can see the Hypermodern approach working well:
Black has set up a big centre, and White is having fun making threats
against it.

A more solid approach is

1.b3 e5 2.Bb2 Nc6 3.e3 d6,

occupying a smaller portion of the centre for a lower cost.

One game from here that created a lot of interest was Minasian-Adams:

4.Bb5 Bd7

When I tried angling for this against Tim, he was happy to play into the
line

4.d4 exd4 5.exd4 d5.

Black can claim that White’s position doesn’t make a lot of sense, with
the Bb2 having a very poor view, but it’s very early days in the game
and Tim has more experience in this line than I do.
I expect the best line in this position for White is

4.Nf3.

after which Black can happily challenge on the long diagonal with

4…g6,

as 5.d4 Bg7 6.dxe5 Nge7! allows Black to get a bit more sorted
before recapturing on e5.

Approaching the Sicilian

Jeremy has discarded the Caro-Kann (quite right too…) in favour of the
Sicilian. He has decided that 1.e4 c5 2.Nf3 d6 makes sense, but
is still making up his mind about what to do after 3.d4 cxd4 4.Nxd4
Nf6 5.Nc3.

Options include:

5…g6 Dragon Variation

5…a6 Najdorf Variation

5…Nc6 Classical Variation

These are some of the most interesting and theoretical variations in
chess. They are also a bit of a challenge to take on: White has some
razor-sharp options like the Sozin, Richter-Rauser and Velimirovic
variations.

6.Bc4

6.Bg5 7.Qd2

6.Be3 7.Bc4 8.Qe2

5…e6 Scheveningen Variation

This is a good deal less hair-raising than the three alternatives above,
and a steady option for Black. I wrote a booklet on this for the
juniors, so let me know if you would like a copy.

I’m going to put in a word for 5…e5, heading for the Sveshnikov (or
Lasker-Pelikan) Variation. It also has a fair amount of theory, but
as some of the structural decisions have been made, you can plan your
approach for development with more certainty. Its reputation as a sharp
and theory-laden line has been balanced by a respect for how solid it
is. Black’s pawn structure maybe looks weak and hard to handle, but
White’s Na3 is out of play and Black has a very solid stake in the
centre, so any of those ‘mad axeman’ attacks with f4/g4/h4 are just
going to bounce. Moreover, most of Black’s strategy for coping with the
messy pawns is ‘lots of activity’ and ‘dump the bad bishop’, which
shouldn’t be too hard for anyone!

Sveshnikov inspiration:

English, Reti, Dutch

Sean ponders moving from the Reti to the English The key challenge to the English Opening is 1.c4 e5; the big plus to approaching the English with 1.Nf3 is that White avoids this line. There are also advantages in leaving the Ng1 at home: the long diagonal is kept open and in particular White can adopt the popular Botvinnik set-up, recomended repeatedly in repertoire books (Soltis 1980, Kosten 1998, Marin 2004). These three books also recommend leaving the Nb1 at home at first, thus:

1.c4 e5 2.g3 Nf6 3.Bg2

as this doesn’t allow Black the well-known equalising lines with

1.c4 e5 2.Nc3 Nf6 3.g3 c6

1.c4 e5 2.Nc3 Nf6 3.g3 Bb4

(White is perhaps best advised to throw in 1.c4 e5 2.Nc3 Nf6 3.Nf3 Nc6 before 4.g3).
Black may take advantage of White’s slow approach by setting up a big
centre. …d5 is restrained, but what about …f5?

1.c4 e5 2.Nc3 f5 3.d4!

is promising for White, but

1.c4 e5 2.g3 Nc6 3.Nc3 f5

is playable

Kosten points out

1.c4 e5 2.g3 Nc6 3.Nc3 f5 4.Bg2 Nf6 5.e3 d5!? 6.cxd5 Nb4!

but is content with

1.c4 e5 2.g3 Nc6 3.Nc3 f5 4.Bg2 Nf6 5.a3 Bc5 6.e3

(I wonder if Black can then escape the Botvinnik with d6/g6.)

Marin has a new approach:

1.c4 e5 2.g3 Nc6 3.Nc3 f5 4.Nf3!

with the idea

4…e4 5.Nh4!

hitting the f-pawn and preparing to go to f4 via g2. It has some links with the Hyper-Accelerated Dragon approach we saw above.

4…Nf6 5.d4 e4 6.Nh4 has the same ideas.

Preparation in club play

Do you prepare to play into your opponent’s main opening system or try
to dodge? Does it even matter at club level?

a. Done badly

“I think Dave knows his openings pretty well, and I don’t really like
playing against the French… I know, I’ll play 1.d4, that will surprise
him! Against 1.d4, he plays some rubbish with …b6, and I can beat that
easily!”

1.d4 f5

“Oh. I forgot he sometimes plays the Dutch. Now what do I do?”

b. Done well

“I think Dave knows his openings pretty well, and he nearly always plays
the French these days. In particular, he plays the Euwe Variation
against the Advance French, and I have a recent book on how to play
that line for White.”

Openings workshop 2014

Work in progress…

How to decide if the Dutch Defence is good for you
————————————————–
Just taking the Dutch Defence as an example…

Do you think it suits you? (Do your friends think it suits you?)
Do the ideas you read about go into your memory?
Do the ideas you remember actually turn up in your games?
Do you get good results with it?
Do the results in your games have anything to do with the opening?
Can your opponents avoid the lines you like to play?

Philidor’s Defence — see recent post
————————————-
http://exeterchessclub.org.uk/content/lessons-philidors-defence-live-act…

London System
————-
Some opening systems are ‘good’: they are played by Grandmasters and
have enough point to give other Grandmasters some problems in getting
equality as Black.

Some opening systems are not so good: they are rarely played by GMs and
don’t have enough about them to give other GMs problems.

What does all this have to do with club players?

A good opening for a club player is one that gives your opponents problems.

And the London System? It’s not generally considered to set enough
problems to be played against GMs, although some GMs will use it as a
‘rabbit-bashing’ system, keeping out of theory and known equalising and
simplifying lines.

In amateur play, it may be possible to learn a a defence against the
London System which is enough to put White off playing it. If your
opponents don’t know any such defence, your greater familiarity with the
system may give you great practical chances.

A good example of White’s practical chances:


A good example of Black’s strongest defence:


But can White avoid this defence by a clever move order?!

Does it matter if Black can equalise with …Bd6?

Scheveningen Sicilian for Black: move order issues
——————————-

Scheveningen
Paulsen/Taimanov
Nadforf

The original Scheveningen was

Approaching via Najdorf move order
avoid g4, allow Bb5+

Approaching via Taimanov move order
take sting out of g4, allow c4

The Bogoljubow paradox

“When I am White I win because I am White, when I am Black I win
because I am Bogoljubow.” – Efim Bogoljubow.

I’m still thinking about this, so bear with me, and comments
invited…

I pounced on Nunn’s Chess Openings when it came out, and
found some things that I found puzzling.  Openings like the
Dutch Stonewall, which I had always thought of as being
fundamentally flawed, were being shown as equal, while
the Classical Dutch – which I thought was a superior approach – was coming out as +=.

Firstly, why did I think that the Dutch Stonewall was so
flawed?  Earlier in my life, I had devoured the Euwe/Kramer
books on The Middle Game.  Not unlike 1066 and
all that
, I learned lots of Important Ideas like Isolated
Queen’s Pawns and Bad Bishops which were worth writing down in
Capital Letters.  If you played the Dutch Stonewall as Black,
you had a Bad Bishop and White could start in with a Queen’s Side
Attack, perhaps even a Minority Attack.  I also learned that
if you had only one Bishop, you placed your pawns on the Opposite
Colour to your Bishop, leaving its lines of action free. 

So, for example, in the Bogo-Indian, after …Bb4 and an exchange
of dark-squared Bishops, a very logical plan for Black was …d6
and …e5, challenging in the centre on the dark squares, and
releasing the light-squared Bishop on c8.

Imagine my confusion, when reading Nunn et al., to see that the
lines of the Bogo-Indian with …d6 and …e5 were generally given
as +=, while Black seemed to have better chances of equality with
Ulf Andersson’s  favourite …d7-d5, leaving the central
pawns on light squares, and obstructing our remaining Bishop.

I’m still thinking about this, but needing some sort of
explanation, I reached for these ideas:

a. After …e6-e5 and d4-d5, how strong is Black’s claim to have
a Good Bishop?  After all, where can it go?  In the game
Pedersen-Shkapenko (GM 2007), we reached this position:

We can see that the Bishop on each side can only go
backwards!  The fact that Black’s Bishop has a choice of
retreats does not seem very relevant to me!  This position
can be better understood by thinking about the rest of the pieces,
and it seems as though White’s space and centralised Knights offer
a plus.  The Knight on d3 looks especially well-placed,
supporting pawn breaks on both sides of the board.  White can
look forward to arranging c5 at leisure.

b. When you play …d7-d5.  White has a pawn on c4. 
After an exchange of pawns, new career prospects appear for the
Bc8.  White can stop this only by c4-c5, but then Black has
ideas of …b6 and/or …e5, both of which attack White’s pawns
and release the Bc8. 

c. In Queen’s Pawn Openings, after …e6-e5 and d4-d5, White has
a natural plan of pushing forward on the Queen’s-side, with moves
like b4 and c5.  …d7-d5 concedes less space on the
Queen’s-side, and importantly, doesn’t hand White a simple plan of
campaign.  That feels quite a good explanation to me.

d. One last consideration: Black often has a small lead in
development, which is used better by playing …d5 quickly than
…d6 and …e5 slowly.  In the Nimzo-Indian, White is often
embarrassed by Black’s quick …d7-d5 break, even though in the
long run White will want to open up the position for the two
Bishops.  Black can castle and get in …d5 before White has
touched any of the King’s-side pieces.  In the Bogo-Indian,
White might not have the Bishop pair, but the time factor could
still be relevant.  I’m not sure how important this idea is
in every line; we’d probably need to look at some variations.

Overlapping explanations might help us to understand the Dutch
Stonewall.  There Black has some claim to be the side with
more space, and White’s allegedly Good Bishop on g2 seems to have
just as poor career prospects as Black’s on c8.  So again,
simply interpreting the position through the most obvious
difference – the effect of the pawn structure on one pair of
pieces – was Too Simple.  That is very definitely a Bad
Thing.

“The Euwe books are very good for beginners.  But after a
while I began to think that everything Euwe wrote was a lie!” —
Bent Larsen.

To be honest, if the Bogo-Indian ever turns up on my board, I’ll
still be strongly drawn to …d6 and …e5.  As much as it
hands White a plan, it also gives a position where I think I also
know what I’m supposed to be doing.  After …d5, even if the
position is more equal, I’d feel more at a loss as to what to do!

Openings workshop 2012

Two open gambits

Richard was interested in the Urusoff Gambit and Eddie in the Scotch Gambit.
Gambits offer a pawn for fast development and/or control of the centre. I approve very much of this way of playing, and it’s the first thing I offer juniors as an alternative to playing Old Stodge with both White and Black in every game.

Here’s a starter for each:


Very appealing!
I have some notes on the Scotch Gambit in my ‘First Opening Repertoire’, linked here:
http://exeterchessclub.org.uk/content/free-e-books-coaches-and-players

So, why don’t we all play these openings all the time? Well, your opponent needs to be both naive and greedy, which isn’t a completely unknown combination, but doesn’t happen all the time. It’s probably more likely that your opponent is experienced and/or cautious, and will deviate at some point, probably into some version of the Two Knights’ Defence. My little booklet, linked above, also gives some ideas about what to do if that happens.

And by the magic of the Internet, here’s a lot more information about each opening:

http://exeterchessclub.org.uk/content/modern-classics-scotch-gambit
http://www.rci.rutgers.edu/~goeller/urusov/
[I’ll make here a small plug for Michael Goeller of Kenilworth Chess Club and for Johnny, the chap behind Bishop’s Bounty, who catalogues chess teaching material.]

Grob’s Attack

This has to be terrible, right? It breaks every opening rule we’ve ever been taught (only move your e- and d-pawns, quickly castle king’s-side behind an unmoved wall of pawns, etc etc). So, faced with this for the first time, you might be forgiven for thinking, as Black, like this:

This is obviously terrible.
Therefore, the best way to play against it will also be obvious.
The obvious way to play against it is 1…d5, discovering an attack on g4.

This results in games going like this:

Oops… Perhaps also obvious, in hindsight. What Black has done is immediately break a bunch of rules in turn, including don’t waste time grabbing pawns in the opening and never accept pawns from strange men.

Black needs to bring a bit more care to their play, for example:

1.g4 d5 2.Bg2 c6!

Now White either has to ‘waste’ a move with 3.h3 or 3.g5. Black can then play 3…e5 with a nice centre.

White isn’t busted of course; 3.g5 is a bit of a thorn in Black’s side and there’s some mileage for White in arranging d3 and e4. Mike Basman, many years ago, liked to play 3.h3 e5 4.d4!?, with ideas of an improved reversed Scandinavian after 4…exd4 and an improved reversed French after 4…e4. He tried it a couple of times in the British Championships and got pushed off the board, but he was getting pushed off the board by Miles and Keene, and that’s happened to all of us I expect.

Another approach for Black is 1…e5 with the idea of 2…h5, forcing some sort of King’s-side weakness. 2.d3! d5 3.Bg2 c6 leads to play similar to what we have seen already.

1.g3

Brian was interested in this move, which I have often played myself, and so has Graham. By playing it, White offers Black a big choice of set-ups, but by inviting Black to make a commitment, White is hoping either to prepare an awkward counter-blow, or to lure Black into playing something they don’t know, or something they do know, but an important move behind. To play like this you need to be pretty confident, either that you know enough about all the different systems that Black can try against you, or that you can work it out faster than Black.
If you have my arrogance or Graham’s experience, be my guest, but I don’t advise it for club players, and even I reserve it as a bit of a surprise weapon. There is a famous gambit/trap invented by Bent Larsen in 1959, which I introduced Charlie to:

I have a strong feeling that 1.g3 d5 2.Bg2 e5 is simply equal, as long as Black is not over-ambitious, and that’s the verdict of NCO.

The Grunfeld

Jeremy asked for an introduction. This is quite a quick introduction, not enough for a lasting relationship, but maybe enough to be asked out on a date.

1. The most important line of the Grunfeld is the Exchange Variation. If that is better for White, it’s forced and forcing, so the Grunfeld would be dead. Let’s see:
1.d4 Nf6 2.c4 g6 3.Nc3 d5 4.cxd5 Nxd5 5.e4 Nxc3 6.bxc3

Interesting! White has set up a big castle wall, but where are the guards? Black hopes that it will be not so much a big asset as a big target, and that is the essential Grunfeld debate. When I was a boy the main line went 1.d4 Nf6 2.c4 g6 3.Nc3 d5 4.cxd5 Nxd5 5.e4 Nxc3 6.bxc3 Bg7 7.Bc4 c5
8.Ne2 Nc6 9.Be3 0-0 10.0-0 Qc7 11.Rc1 Rd8 12.h3 b6 13.f4 e6 14.Qe1 Na5
15.Bd3 f5 16.g4 …
[Spassky,B – Fischer,R [D87] Siegen (6), 1970]
and it was still a fight. There are alternatives for both sides at each move, of course, and some of these are very playable. These days Whites seem to prefer the more natural 7.Nf3, ignoring the ‘threat’ of …Bg4, and this is the line that Kramnik was so successful with. But Black players haven’t given up on it yet!

2. If White finds it too bothersome to maintain such a big centre, they can go for something smaller, but then that is less of a threat to Black. Another main line is the Russian System, which reckons on making Black give up the centre by …dxc4, and if White can re-route the awkwardly placed Queen, then White will surely be better. This was the topic in the famous Botvinnik-Fischer encounter at Varna 1962, when Fischer nearly beat the World Champion in a variation that Mikhail Moseyevitch had studied for hours. 1.c4 g6 2.d4 Nf6 3.Nc3 d5 4.Nf3 Bg7 5.Qb3 dxc4 6.Qxc4 0-0 7.e4 Bg4 8.Be3
Nfd7 9.Be2 Nc6 10.Rd1 Nb6 11.Qc5 Qd6 12.h3 Bxf3 13.gxf3 Rfd8 14.d5 Ne5
15.Nb5 Qf6 16.f4 Ned7 17.e5 Qxf4!
[Botvinnik,M – Fischer,R [D98] Varna (10), 1962]

3. A third approach for White is the unpretentious Classical Variation. … It’s safe enough I expect for White, but pugnacious Blacks will try to take the fight to White with lines like
1.d4 Nf6 2.c4 g6 3.Nc3 d5 4.Bf4 Bg7 5.e3 c5 6.dxc5 Qa5 7.Rc1 Ne4 8.cxd5 Nxc3 9.Qd2 Qxa2 10.bxc3 Qa5 11.Bc4 Nd7 12.Ne2 Ne5 13.Ba2 Bf5 [Petrosian,T – Fischer,R [D82] Buenos Aires (2), 1971]

4. A special mention should be made for the offbeat Taimanov Variation, 4.Bg5. I’m always amused by the trick in the line 1.d4 Nf6 2.c4 g6 3.Nc3 d5 4.Nf3 Bg7 5.Bg5 Ne4 6.cxd5 Nxg5 7.Nxg5 e6
8.Nf3 exd5 9.e3 0-0 10.b4 c6
[Ward,C (2480) – Sasikiran,K (2470) [D91] BCF-ch 85th Torquay (8), 04.08.1998]
which ends up in a formation looking like the Queen’s Gambit, Exchange Variation.

5. Another important line, at least at GM level, is the Fianchetto or Neo-Grunfeld Variation. I mention it, but as I know bother all about it, I will move on swiftly.

6. Why don’t people play the Grunfeld so much any more? I think it’s mostly fashion. The fluctuating reputations of various moves deep into the theory of the main lines are beyond me, but I don’t get the impression that there are insoluble problems for Black in any of the variations. After Topalov-Svidler, Linares 2006, people were writing the obituary of the Grunfeld, but then later that year Svidler was back with an improvement and beat Topalov at Sofia. Yes, Kramnik used to make the Exchange look like a forced win, but that’s just Kramnik being Kramnik, and it hasn’t stopped Carlsen taking up the Black side. Karpov and Kasparov played both sides of it at World Championship level, thus inventing the Seville Variation, and for a while Devon’s top 2 county players (Michael Cox and Graham Bolt) both played it as Black.

http://www.chessgames.com/perl/chessgame?gid=1398761
http://www.chessgames.com/perl/chessgame?gid=1411287
http://www.chessgames.com/perl/chesslike.pl?gid=1067254

I think the biggest problem with the theory of the Grunfeld is that it is so blimmin’ big! Black’s position is active and without weaknesses, there aren’t easy ways for White to steer for a safe boring plus with no Black counterplay. So, if you think you’re ahead of your opponent’s book knowledge, by all means have a go!

Livening it up against the Caro-Kann

How, asks John.

I’ve looked at enough CK over the last 10 years to be absolutely sick of it. – Peter Svidler.

We hear you, Peter!

My recommendation for a long while has been the Panov-Botvinnik Attack. It is more open and sharp than most CK players will prefer, it often leads to IQP positions which we should by now be expert in, and White’s moves are pretty easy to understand.

Q. You don’t want to mention the Gunderam Variation, do you Dave?
A. No, I really don’t.

If you’re looking for something spicier, I have seen people play various versions of the Blackmar-Diemer Gambit against it:

1.e4 c6 2.d4 d5 3.Nc3 dxe4 4.Bc4 Nf6 5.f3…

A good choice, long practised by local boy Alan Brusey, is the Fantasy Variation. NCO gives a long main line as about equal but an awful lot of ± and += along the way, and our two resident CK experts confessed to knowing nothing about it, which ought to be some sort of hint! I wrote a quick piece on this for juniors, which may be some sort of starting point: